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Informationen zum Autor MURRAY POMERANCE is an independent film scholar in Toronto, Canada. Among his many books are The Eyes Have It: Cinema and the Reality Effect (Rutgers University Press), Marnie, and Alfred Hitchcock’s America. R. BARTON PALMER is the Calhoun Lemon Professor of Literature and the director of film studies at Clemson University, Clemson, South Carolina. The author, editor, or general editor of over sixty books, including Larger Than Life: Movie Stars of the 1950s and Shot on Location: Postwar Hollywood’s Exploration of Real Place (both Rutgers University Press). Klappentext Today’s film scholars draw from a dizzying range of theoretical perspectives-they’re just as likely to cite philosopher Gilles Deleuze as they are to quote classic film theorist AndrÉ Bazin. To students first encountering them, these theoretical lenses for viewing film can seem exhilarating, but also overwhelming. Thinking in the Dark introduces readers to twenty-one key theorists whose work has made a great impact on film scholarship today, including Rudolf Arnheim, Sergei Eisenstein, Michel Foucault, Siegfried Kracauer, and Judith Butler. Rather than just discussing each theorist’s ideas in the abstract, the book shows how those concepts might be applied when interpreting specific films by including an analysis of both a classic film and a contemporary one. It thus demonstrates how theory can help us better appreciate films from all eras and genres: from Hugo to Vertigo, from City Lights to Sunset Blvd., and from Young Mr. Lincoln to A.I. and Wall-E. The volume’s contributors are all experts on their chosen theorist’s work and, furthermore, are skilled at explaining that thinker’s key ideas and terms to readers who are not yet familiar with them. Thinking in the Dark is not only a valuable resource for teachers and students of film, it’s also a fun read, one that teaches us all how to view familiar films through new eyes. Theorists examined in this volume are: Rudolf Arnheim, BÉla BalÁzs, Roland Barthes, AndrÉ Bazin, Walter Benjamin, Judith Butler, Stanley Cavell, Michel Chion, Gilles Deleuze, Jean Douchet, Sergei Eisenstein, Jean Epstein, Michel Foucault, Siegfried Kracauer, Jacques Lacan, Vachel Lindsay, Christian Metz, Hugo MÜnsterberg, V. F. Perkins, Jacques RanciÈre, and Jean Rouch. Zusammenfassung Introduces readers to twenty-one key theorists whose work has made a great impact on film scholarship today! including Rudolf Arnheim! Sergei Eisenstein! Michel Foucault! Siegfried Kracauer! and Judith Butler. Rather than just discussing each theorist's ideas in the abstract! the book shows how those concepts might be applied when interpreting specific films. Inhaltsverzeichnis AcknowledgmentsIntroductionR. Barton Palmer and Murray PomeranceChapter 1: Hugo MÜnsterberg: Psychologizing Spectatorship between Laboratory and TheaterJeremy BlatterChapter 2: Vachel Lindsay: Theory of Movie HieroglyphicsTom GunningChapter 3: BÉla BalÁzs: Film Aesthetics and the Rituals of RomanceSteven WoodwardChapter 4: Siegfried Kracauer: The Politics of Film Theory and CriticismJohannes von MoltkeChapter 5: Walter Benjamin: Afterimages of the AuraColin WilliamsonChapter 6: Jean Epstein: Cinema’s Encounter with Modern LifeSarah KellerChapter 7: Sergei Eisenstein: Attractions/Montage/AnimationMatthew SolomonChapter 8: Jacques Lacan: Giving All the Right SignsDominic LennardChapter 9: Rudolf Arnheim: Cinema and Partial IllusionNathan HolmesChapter 10: Roland Barthes: What Films Show Us and What They MeanWilliam BrownChapter 11: Jean Rouch: The Camera as ProvocateurWilliam RothmanChapter 12: AndrÉ Bazin: Dark Passage into the Mystery of BeingDudley AndrewChapter 13: Gilles Deleuze: On Movement, Time, and ModernismWill ScheibelChapter 14: Stanley Cavell: The Contingencies of Film and Its TheoryDaniel MorganChapter 15: Michel Foucault: Murmur and MeditationTom ConleyChapter 16: Jean Douchet: La Polit...
