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Informationen zum Autor John Richardson is Professor of Musicology at the University of Turku, Finland, and author of An Eye for Music: Popular Music and the Audiovisual Surreal (2011) and Singing Archeology: Philip Glass's Akhnaten (1999). Claudia Gorbman is Professor of Film Studies at the University of Washington - Tacoma, author of Unheard Melodies: Narrative Film Music (1987), and the translator of five books including four by Michel Chion. Carol Vernallis teaches in Film and Media studies at Stanford University and is author of Experiencing Music Video: Aesthetics and Cultural Context (2004) and Unruly Media: YouTube, Music Video, and the New Digital Cinema (2013). Klappentext This handbook provides powerful ways to understand changes in the current media landscape. Media forms and genres are proliferating as never before, from movies, computer games and iPods to video games and wireless phones. Zusammenfassung This handbook provides powerful ways to understand changes in the current media landscape. Media forms and genres are proliferating as never before, from movies, computer games and iPods to video games and wireless phones. Inhaltsverzeichnis List of contributors About the companion website PART I 1. Introduction, John Richardson and Claudia Gorbman PART II THEORETICAL PRESSURE POINTS 2. Classical Music for the Posthuman Condition, Lawrence Kramer 3. Beyond Music: mashup, multimedia mentality, and intellectual property, Nicholas Cook 4. The Audio-Logo-Visual and the Sound of Languages in Recent Film, Michel Chion 5. The End of Diegesis As We Know It?, Anahid Kassabian 6. Sounding Out Film. Steven Connor PART III NARRATIVE, GENRE, MEANING Changing times, Changing practices 7. Audio-Visual Space in an Era of Technological Convergence, Robynn J. Stilwell 8. Title Sequences for Contemporary Television Serials, Annette Davison 9. No Country for Old Music, Carter Burwell 10. Cue the Big Theme? The Sound of the Superhero, Janet K. Halfyard 11. Video Speech in Latin America, Michael Chanan Animated sounds 12. Pixar and the Animated Soundtrack, Daniel Goldmark 13. Notes on Sound Design in Contemporary Animated Films, Randy Thom 14. Zig Zag : Re-animating Len Lye as Improvised Theatrical Performance and Immersive Visual Music, Lisa Perrott Musical Moments and Transformations 15. The Mutating Musical, Caryl Flinn 16. Chinese Rock 'n' Roll Film and Cui Jian on Screen, Ying Xiao 17. The Neosurrealist Metamusical: Tsai's The Wayward Cloud, John Richardson 18. Parties In Your Head: From the Acoustic to the Psycho-Acoustic, Philip Brophy PART IV EXPANDED SOUNDTRACKS 19. Sensory Aspects of Contemporary Cinema, Michel Chion 20. The Sound of Intensified Continuity, Jeff Smith 21. Extending Film Aesthetics: Audio Beyond Visuals, K.J. Donnelly 22. The Audiovisual Construction of Transgender Identity in Transamerica, Susanna Välimäki 23. Soundscapes of Istanbul in Turkish film Soundtracks, Meri Kytö 24. Audiovisual Objects, Multisensory People and the Intensified Ordinary in Hong Kong Action Films, Charles Kronengold PART V EMERGING AUDIOVISUAL FORMS Music Video and Beyond Gaming 25. Music Video's Second Aesthetic, Carol Vernallis 26. Aesthetics and Hyperembodiment in Pop Videos: Rihanna's "Umbrella," Stan Hawkins 27. The Emancipation Of Music Video: YouTube and The Cultural Politics of Supply and Demand, Paula Hearsum and Ian Inglis 28. Music Video Transformed, Mathias Bonde Korsgaard video art 29. "Betwixt and Between" Worlds: Spatial and Temporal Liminality in Video Art-Music, Holly Rogers 30. Sound Events: Innovation in Projection and Installation, Maureen Turim and Michael Walsh Gaming 31. Contextualizing Game Audio Aesthetics, Rob Bridgett 32. Implications of Interactivity: What doe...
