Ulteriori informazioni
This book describes in detail the materials and techniques used by medieval iconographers. It offers information about the natural sources, the raw materials, the tools and the technologies involved in preparing them. The book allows entry into the secretive world of very knowledgeable and skilled artisans, about which very little is known. Topics covered include raw materials, pigments, binders, solvents, adhesives, inks and varnishes. Special chapters will be dedicated to the fresco technique as practiced by the early iconographers, grinding, painting on glass and the training/apprenticeship of these craftsmen.
Info autore
Mihaela D. Leonida is a Professor of Chemistry at Fairleigh Dickinson University, Metropolitan Campus, in Teaneck, NJ (mleonida@fdu.edu). She received a M.S.and a Ph.D. in Chemical Engineering from Polytechnic University in Bucharest, Romania, and a second Ph.D. in Chemistry from Wesleyan University in Middletown, CT. While teaching, she has mentored research with over sixty students. Her scientific interests are broad, from "wiring" enzymes to bionanomaterials with antimicrobial and anti-proliferation activity, to detecting art forgeries, to materials and techniques used by artisans of times past.
Ish Kumar is an Associate Professor of Chemistryat Fairleigh Dickinson University, Metropolitan Campus, in Teaneck, NJ (ikumar@fdu.edu). He earned his B.S., M.S. and Ph.D. degrees from Panjab University, in Chandigarh, India. During his years as faculty Dr. Kumar has supervised research of more than twenty students. His research interests involve designing new molecular inhibitors using the tools of computational chemistry, enzyme structures, enzyme kinetics and chemical synthesis.
Riassunto
This book describes in detail the materials and techniques used by medieval iconographers. It offers information about the natural sources, the raw materials, the tools and the technologies involved in preparing them. The book allows entry into the secretive world of very knowledgeable and skilled artisans, about which very little is known. Topics covered include raw materials, pigments, binders, solvents, adhesives, inks and varnishes. Special chapters will be dedicated to the fresco technique as practiced by the early iconographers, grinding, painting on glass and the training/apprenticeship of these craftsmen.
