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Rationalism of Georg Lukacs

Inglese · Copertina rigida

Spedizione di solito entro 1 a 3 settimane

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Zusatztext "Georg Lukács is one of the highly controversial towering thinkers of the 20th century. János Kelemen's book presents a deep insight into the main theoretical aspects of Lukács's work . It is also a significant contribution to the still-missing assessment of the philosophical debates triggered by the political left within post-metaphysical philosophy." - Agnes Heller Professor Emeritus! The New School for Social Research! USA Informationen zum Autor János Kelemen is Professor of Philosophy at the University ELTE Budapest, Hungary. He is also a corresponding member of the Hungarian Academy of Sciences and a former director of the Hungarian Academy in Rome, Italy. He has published numerous books and essays on philosophical problems, Italian literary history, and individual authors. Klappentext The Rationalism of Georg Lukács is a collection of essays and engaging scholarship which uncovers new dimensions of the philosopher's work. The relevance of Lukacs's ideas should be seen in the light of a sharp decline in critical thought as well the continued need to rehabilitate a thinker that was representative of a rational radical perspective. Zusammenfassung The Rationalism of Georg Lukács is a collection of essays and engaging scholarship which uncovers new dimensions of the philosopher's work. The relevance of Lukacs's ideas should be seen in the light of a sharp decline in critical thought as well the continued need to rehabilitate a thinker that was representative of a rational radical perspective. Inhaltsverzeichnis I. 'To Supervise the Existence of Reason' 1. Introdcution: Language, Science, Reason 2. Lukács's Ideas on Language 3. Lukács's Conception of Science 4. Lukács's Rationalism: In Defence of the Destruction of Reason II. Problems of Literary History and Aesthetics 5. Art's Struggle for Freedom: Lukács the Literary Historian 6. Lukács and Fülep: Two Hungarian Critics of Benedetto Croce 7. Lukács and the Art of Film: On a Chapter of the Specificity of the Aesthetic...

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