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Arts of the Border investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee "crisis" at Europe’s edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves – their "arts of the border" – as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations.
Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino – to set in motion – and aesthetics – relating to sensory perception – kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais’s "jungle" and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining.
About the author
Debarati Sanyal is Professor of French and Zaffaroni Family Chair of Undergraduate Education (2024–29) at the University of California, Berkeley, where she directs the Center for Interdisciplinary Critical Inquiry. She is the author of Memory and Complicity: Migrations of Holocaust Remembrance (2015) translated in French as Mémoire et complicité: Au prisme de la Shoah (2019) and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (2006).
Summary
Examining Europe’s borders and their artistic representations as an archive both of state violence and of refusal, fugitivity, and imagination.
