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Zusatztext Professor Allen leaves no stone unturned. His analysis of the future of carnival in New York City ought to make everyone read Jump Up. This masterpiece belongs in every Caribbean-American home. Informationen zum Autor Ray Allen is Professor of Music and American Studies at Brooklyn College, CUNY, where he teaches classes on American music, world music, and urban folk culture. His research has ranged from African American gospel, Caribbean Carnival music, and the folk music revival to the works of composers Ruth Crawford Seeger and George Gershwin. His books include Singing in the Spirit: African-American Sacred Quartets in New York City, Island Sounds in the Global City: Caribbean Popular Music in New York City (co-edited with Lois Wilcken), Ruth Crawford Seeger's Worlds: Innovation and Tradition in Twentieth Century American Music (co-edited with Elli Hisama), and Gone to the Country: The New Lost City Ramblers and the Urban Folk Music Revival. Klappentext Jump Up! Caribbean Carnival Music in New York City presents the first thorough history of calypso and steelband music outside the Caribbean, that emerged first in Harlem and later, Brooklyn. Zusammenfassung Jump Up! Caribbean Carnival Music in New York City presents the first thorough history of calypso and steelband music outside the Caribbean, that emerged first in Harlem and later, Brooklyn. Inhaltsverzeichnis Acknowledgements Introduction Chapter 1 - Carnival Music in Trinidad and into the Diaspora Chapter 2- Harlem's Caribbean Dance Orchestras and Early Calypsonians words Chapter 3 - Harlem Carnival: Dame Lorraine Dances and the Seventh Avenue Street Parade Chapter 4 - Carnival Comes to Brooklyn Chapter 5 - The Brooklyn Steelband Movement Chapter 6 - The Brooklyn Soca Connection - The Record Companies Chapter 7 - Brooklyn Soca as Transnational Expression Chapter 8 - J'ouvert in Brooklyn J'Ouvert: Revitalizing Carnival Tradition words Chapter 9 - "We Jammin' Still"- Brooklyn Carnival in the New Millennium words Notes References Interviews ...
