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Zusatztext 'Wandor strides out of the Spare Rib years to give us a salutary shake.' - Plays International 'There is something unabashedly radical about Wandor's writing which makes it a pleasure as well as a challenge to read. Her language is immediate, her motives and politics transparent, and her grasp of her subject matter is simply unparalleled. Looking Back in Gender remains a forcefully engaging, fascinating read. ' - Lucy PowellHam & High Books Informationen zum Autor Michelene Wandor Klappentext Michelene Wandor, a respected commentator on sexual politics in the theater, looks again at the best-known British plays of the post-war period. Juxtaposing the period before 1968 when statutory censorship still existed with the years following, Wandor scrutinizes a careful selection of plays, many of which are firmly in place as part of our contemporary canon, through the lenses of World War II, the testing of gender roles, the development of the welfare state, and finally, identity politics. During this period, playwrights and theatergoers transformed the theater into a forum where they could explore rapidly changing interpersonal relationships. These changes led Wandor to some starling conclusions about the different gender focus of male and female playwrights. Zusammenfassung In this extensively revised and updated edition of Michelene Wandor's classic work Look Back in Gender, Wandor takes another provocative look at a selection of key British plays from the last fifty years. Inhaltsverzeichnis PART I 1 The imperative of gender 2 The imperative of context: family and gender PART II 3 The 1950s 4 The 1960s 5 The Lady Macbeth syndrome ± The 1950s and 1960s: conclusions 6 The Royal Smut-Hound by Kenneth Tynan PART III 7 New contexts, 8 A theatrical legacy, PART IV 9 The 1970s, 10 The 1970s: conclusions, PART V 11 The 1980s, 12 The 1980s : conclusions, PART VI 13 the 1990s, 14 The 1990s: conclusions, Part VII 15 Turning the tables, 16 Coda, Epilogue...
