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This is the first comprehensive guide to British theatre's engagement with the First World War over the last century, from 1900 to the Armistice Day centenary in 2018. Considering theatre as both an industry and literary-cultural artform, it provides a contextual grounding in the prelude to the conflict and coverage of post-war plays as well as wartime performances. Lively chapters from leading scholars explore diverse genres and practices, from Shakespeare to melodrama, while focusing on topics including regionality, national identity, propaganda, commemoration, gender, censorship and international influences. Presenting original scholarship in an accessible and engaging manner, this Companion establishes theatre as a vital means of understanding wartime experiences, and a central feature in commemoration and remembrance.
About the author
Helen Brooks is Professor of Cultural and Creative History at the University of Kent. Prior to working on First World War theatre she published widely on eighteenth-century theatre. Her book Actresses, Gender, and the Eighteenth-Century Stage: Playing Women was published in 2014. She is an editor of the Exeter Performance Studies series and was associate editor of the Wiley Encyclopaedia of British Literature: 1660–1789. She was a co-investigator with the Gateways to the First World War centre (2014–2019).Michael Hammond is Emeritus Fellow in Film History at the University of Southampton. His international reputation rests on a large body of work that spans both silent film history and contemporary film and television studies. In the field of silent film history he is known for his monographs, The Big Show: British Cinema Culture in the Great War, 1914–1918 (2006) and The Great War in Hollywood Memory, 1919–1939 (2019). He is co-editor of British Silent Cinema in the Great War (2011) and The Great War and the Moving Image (2017).
