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A work of sheer brilliance, beauty and bravery' Andrew Sean Greer, author of Less
'Masterly... Her essays have a clarity and prescience that imply a sort of distant, retrospective view, like postcards sent from the near future' New York Times
We stare at our phones. We keep multiple tabs open. Our chats and conversations are full of the phrase "Did you see?" The feeling that we're living in the worst of times seems to be intensifying, alongside a desire to know precisely how bad things have gotten.
Poet and essayist Elisa Gabbert's The Unreality of Memory consists of a series of lyrical and deeply researched meditations on what our culture of catastrophe has done to public discourse and our own inner lives. In these tender and prophetic essays, she focuses in on our daily preoccupation and faPvorite pasttime: desperate distraction from disaster by way of a desperate obsession with the disastrous.
Moving from public trauma to personal tragedy, from the Titanic and Chernobyl to illness and loss, The Unreality of Memory alternately rips away the facade of our fascination with destruction and gently identifies itself with the age of rubbernecking. A balm, not a burr, Gabbert's essays are a hauntingly perceptive analysis of the anxiety intrinsic in our new, digital ways of being, and also a means of reconciling ourselves to this new world.
'One of those joyful books that send you to your notebook every page or so, desperate not to lose either the thought the author has deftly placed in your mind or the title of a work she has now compelled you to read.' Paris Review
About the author
Elisa Gabbert is the author of three poetry collections, L'Heure Bleue, The Self Unstable, and The French Exit. Her debut collection of essays, The Word Pretty, was published in 2018. The Self Unstable was chosen by the New Yorker as one of the best books of 2013. Gabbert's work has appeared in the New Yorker, Boston Review, The Paris Review Daily, Pacific Standard, Guernica, The Awl, Electric Literature, The Harvard Review, and many other venues. She lives in Denver.
Summary
'A work of sheer brilliance, beauty and bravery' Andrew Sean Greer, author of Less
'Masterly... Her essays have a clarity and prescience that imply a sort of distant, retrospective view, like postcards sent from the near future' New York Times
We stare at our phones. We keep multiple tabs open. Our chats and conversations are full of the phrase "Did you see?" The feeling that we're living in the worst of times seems to be intensifying, alongside a desire to know precisely how bad things have gotten.
Poet and essayist Elisa Gabbert's The Unreality of Memory consists of a series of lyrical and deeply researched meditations on what our culture of catastrophe has done to public discourse and our own inner lives. In these tender and prophetic essays, she focuses in on our daily preoccupation and favorite pasttime: desperate distraction from disaster by way of a desperate obsession with the disastrous.
Moving from public trauma to personal tragedy, from the Titanic and Chernobyl to illness and loss, The Unreality of Memory alternately rips away the facade of our fascination with destruction and gently identifies itself with the age of rubbernecking. A balm, not a burr, Gabbert's essays are a hauntingly perceptive analysis of the anxiety intrinsic in our new, digital ways of being, and also a means of reconciling ourselves to this new world.
'One of those joyful books that send you to your notebook every page or so, desperate not to lose either the thought the author has deftly placed in your mind or the title of a work she has now compelled you to read.' Paris Review
