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Zusatztext Souvenir is alive to the senses and seasons dressing London . . . Bracewell has a poet's gift for locating essence in detail . . . S ouvenir reaches back across decades of exsanguinating Conservatism, New Labour, austerity and gentrification to find intimations of today's malaise Informationen zum Autor Michael Bracewell is the author of six novels and two works of non-fiction including SAINT RACHEL, PERFECT TENSE, REMAKE/REMODEL and ENGLAND IS MINE. His writing has been published in THE FABER BOOK OF POP and a selection of his writings on art and culture, THE SPACE BETWEEN was published in 2012. He has written widely on modern and contemporary art, most notably about the work of Bridget Riley and Richard Hamilton on the occasion of recent exhibitions of their work at The National Gallery, London. Also on the art of Damien Hirst and Gilbert & George for the Tate Gallery, London. His most recent publications include the Introduction to a new edition of Oscar Wilde's classic essay, 'The Critic As Artist'. Klappentext A lovesong to London in the early 80s: a pre-computer, pre-digital, pre-mostmodern, New Wave age Vorwort A lovesong to London in the early 80s: a pre-computer, pre-digital, pre-mostmodern, New Wave age Zusammenfassung A lovesong to London in the early 80s: a pre-computer, pre-digital, pre-mostmodern, New Wave age
About the author
Michael Bracewell is the author of six novels and two works of non-fiction including SAINT RACHEL, PERFECT TENSE, REMAKE/REMODEL and ENGLAND IS MINE.
His writing has been published in THE FABER BOOK OF POP and a selection of his writings on art and culture, THE SPACE BETWEEN was published in 2012.
He has written widely on modern and contemporary art, most notably about the work of Bridget Riley and Richard Hamilton on the occasion of recent exhibitions of their work at The National Gallery, London. Also on the art of Damien Hirst and Gilbert & George for the Tate Gallery, London.
His most recent publications include the Introduction to a new edition of Oscar Wilde's classic essay, 'The Critic As Artist'.
