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Nazgol Ansarinia
Inquiries Into the Present

English · Hardback

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Description

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In her work, Nazgol Ansarinia examines the systems and networks that underpin her daily life, such as everyday objects, routines, events, and experiences, and the relationship they form to a larger social context. This new monograph surveys the artist's work of the last fifteen years in sculptures, installation, drawing, and video. The individual projects represent ways of understanding the role of architecture in delineating interior end exterior spaces and private and public spheres. Ansarinia's works are largely observational and technical in their scope, offering insight into the issues that are most pressing and urgent for today's cities and the populations that inhabit them. This fully illustrated publication features in-depth essays by Media Farzin, Hamed Khosravi, and Maria Lind.
NAZGOL ANSARINIA (*1979, Tehran) studied graphic and media design in London and San Francisco. A solo exhibition was held for her work at KIOSK in Ghent Belgium in 2018. Her work was shown in the Sharjah Architecture Triennial (2019), Parasol Unit London (2019), REDCAT, LA (2018), Monnaie de Paris and the National Museum of Women in the Arts, Washington D.C., USA (2018).

About the author

NAZGOL ANSARINIA (*1979, Teheran) studierte Grafik- und Mediendesign in London und San Francisco. Sie wurde 2014 für den Forschungsaufenthalt der MOP/Parasol-Einheit ausgewählt und nahm 2015 am iranischen Nationalpavillon auf der 56. Biennale di Venezia teil. 2009 wurde sie mit dem Abraaj Capital Art Prize ausgezeichnet.

Summary

In her work, Nazgol Ansarinia examines the systems and networks that underpin her daily life, such as everyday objects, routines, events, and experiences, and the relationship they form to a larger social context. This new monograph surveys the artist’s work of the last fifteen years in sculptures, installation, drawing, and video. The individual projects represent ways of understanding the role of architecture in delineating interior end exterior spaces and private and public spheres. Ansarinia’s works are largely observational and technical in their scope, offering insight into the issues that are most pressing and urgent for today’s cities and the populations that inhabit them. This fully illustrated publication features in-depth essays by Media Farzin, Hamed Khosravi, and Maria Lind.
NAZGOL ANSARINIA (*1979, Tehran) studied graphic and media design in London and San Francisco. A solo exhibition was held for her work at KIOSK in Ghent Belgium in 2018. Her work was shown in the Sharjah Architecture Triennial (2019), Parasol Unit London (2019), REDCAT, LA (2018), Monnaie de Paris and the National Museum of Women in the Arts, Washington D.C., USA (2018).

Product details

Assisted by Phillip Griffith (Editor), Philli Griffith (Editor), Nazgol Ansarinia (Editor), Ansarinia (Editor)
Authors Medi Farzin, Hame Khosravi, Maria Lind, Media Farzin, Aryn Beitz, Hamed Khosravi, Li, Phillip Griffith, Maria et al Lind, Nazgol Ansarinia, Hamed et Khosravi
Publisher Hatje Cantz Verlag
 
Content Book
Product form Hardback
Publication date 26.07.2021
Subject Non-fiction book > Art, literature
Humanities, art, music > Art
 
EAN 9783775747684
ISBN 978-3-7757-4768-4
Pages 192
Illustrations 300 Abb.
Dimensions (packing) 20.6 x 2 x 27.4 cm
Weight (packing) 662 g
 
Series MONOGRAFIE
Zeitgenössische Kunst
Subjects Iran, Künste, Bildende Kunst allgemein, Plastik, Künstlerinnen, Installation, contemporary Art, Zeitgenösissche Kunst, sculpture, zeitgenössische Skulptur, auseinandersetzen, Tehran, women artists
 

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