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Migration moves people, ideas and things. Migration shakes up political scenes and instigates new social movements. It redraws emotional landscapes and reshapes social networks, with traditional and digital media enabling, representing, and shaping the processes, relationships and people on the move. The deep entanglement of media and migration expands across the fields of political, cultural and social life. For example, migration is increasingly digitally tracked and surveilled, and national and international policy-making draws on data on migrant movement, anticipated movement, and biometrics to maintain a sense of control over the mobilities of humans and things. Also, social imaginaries are constituted in highly mediated environments where information and emotions on migration are constantly shared on social and traditional media. Both, those migrating and those receiving them, turn to media and communicative practices to learn how to make sense of migration and to manage fears and desires associated with cross-border mobility in an increasingly porous but also controlled and divided world.
The SAGE Handbook of Media and Migration offers a comprehensive overview of media and migration through new research, as well as a review of present scholarship in this expanding and promising field. It explores key interdisciplinary concepts and methodologies, and how these are challenged by new realities and the links between contemporary migration patterns and its use of mediated processes. Although primarily grounded in media and communication studies, the Handbook builds on research in the fields of sociology, anthropology, political science, urban studies, science and technology studies, human rights, development studies, and gender and sexuality studies, to bring to the forefront key theories, concepts and methodological approaches to the study of the movement of people.
In seven parts, the Handbook dissects important areas of cross-disciplinary and generational discourse for graduate students, early career researcher, migration management practitioners, and academics in the fields of media and migration studies, international development, communication studies, and the wider social science discipline.
Part One: Keywords and Legacies
Part Two: Methodologies
Part Three: Communities
Part Four: Representations
Part Five: Borders and Rights
Part Six: Spatialities
Part Seven: Conflicts
About the author
Koen Leurs is an Associate Professor in Gender, Media and Migration Studies at the Graduate Gender Program of the Department of Media and Culture, Utrecht University, the Netherlands. Leurs is a digital migration studies scholar interested in digital practices of migrants and digital governmentality of migration. He combines mixed methods with creative, participatory and digital approaches. He is PI in the project ‘Co-Designing a Fair Digital Asylum System’ (2022–2023). He was a fellow at the Netherlands Institute of Advanced Studies (NIAS) and the London School of Economics and Political Science (LSE) Previously, he chaired the ‘Diaspora, Migration and the Media’ section of the European Communication Research and Education Association (ECREA, 2016-2021). Recently, Leurs co-edited the Handbook of media and migration (Sage, 2020) and special issues on ‘Cultures of (im)mobile entanglements’ for the International Journal of Cultural Studies (2023), ‘Digital migration practices and the everyday’ for Communication, Culture & Critique and ‘Inclusive media literacy education for diverse societies’ for Media and Communication (2022). His previous monograph is Digital passages. Diaspora, gender and youth cultural intersections (Amsterdam University Press, 2015).
Report
Due to the range of its themes, approaches, voices and contexts, this volume will be an indispensable guide to all scholars working on migration and media, and will furthermore open up a new space for methodological and conceptual reflection on a world in which movement and mediation are two sides of the same coin.
Arjun Appadurai 20190401
