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Zusatztext If you're new to Ron Pelias' work! you'll find treasure here: riches you will not tire of! that will reward you for what you give - time! attention! openness. If you're already familiar with Pelias' work! or think you are! you might need to reconsider: the range! depth and sheer beauty of Pelias' writing will take you somewhere new. There's treasure here for you too. This is a vibrant collection of texts from a giant of qualitative inquiry. Jonathan Wyatt! Senior Lecturer! Director of the Centre for Creative-Relational Inquiry! The University of Edinburgh Informationen zum Autor Ronald J. Pelias is currently teaching part-time in the theatre program at the University of Louisiana at Lafayette. His most recent books exploring qualitative methods are Leaning: A Poetics of Personal Relations (2011), Performance: An Alphabet of Performative Writing (2014), and If the Truth Be Told: Accounts in Literary Forms (2016). Klappentext This bookinvites the reader into Ronald J. Pelias' world of artistic and everyday performance. Calling upon a broad range of qualitative methods, these selected writings from Pelias submerge themselves in the evocative and embodied, in the material and consequential, often creating moving accounts of their topics. Zusammenfassung This bookinvites the reader into Ronald J. Pelias’ world of artistic and everyday performance. Calling upon a broad range of qualitative methods, these selected writings from Pelias submerge themselves in the evocative and embodied, in the material and consequential, often creating moving accounts of their topics. Inhaltsverzeichnis Acknowledgments Introduction: A Way In Part I: Foundational Logics Chapter 1. Performative Inquiry: Embodiment and Its Challenges Chapter 2. Writing Autoethnography: The Personal, Poetic, and Performative as Compositional Strategies Chapter 3. Performative Writing as Scholarship: An Argument, An Anecdote Chapter 4. Performative Writing: The Ethics of Representation in Form and Body Chapter 5. Writing into Position: Strategies for Composition and Evaluation Chapter 6. Pledging Personal Allegiance to Qualitative Inquiry Part II: Performance Chapter 7. A Paradigm for Performance Studies with James Vanoosting Chapter 8. Empathy: Some Implications of Social Cognition Research for Interpretation Study Chapter 9. Performance Studies: Meditations and Mediations Chapter 10. Performance Is… Chapter 11. Confessions of an Apprehensive Performer Chapter 12. Toward a Poetic Phenomenology of Performance with Lesa Lockford Chapter 13. Seductions Part III: Identity Chapter 14. The DEF Comedy Jam , bell hooks, and Me Chapter 15. My Body’s Placement: An Autoethnographic Account of Communicative Practice Chapter 16. Making My Masculine Body Behave Chapter 17. Jarheads, Girly Men, and the Pleasures of Violence Chapter 18. A Personal History of Lust on Bourbon Street Part IV: Everyday Life Chapter 19. Remembering Vietnam Chapter 20. The Critical Life Chapter 21. The Academic Tourist: An Autoethnography Chapter 22. Always Dying: Living Between Da and Fort Chapter 23. For Father and Son: An Ethnodrama with No Catharsis Chapter 24. Remains Chapter 25. The End of an Academic Career: The Desperate Attempt to Hang On and Let Go ...
