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Showcases Ezra Pound's close involvement with the arts throughout his career This volume of new, interdisciplinary scholarship investigates the arts with which Pound had a lifelong interaction including architecture, ballet, cinema, music, painting, photography and sculpture. Divided into 5 historically and thematically arranged sections, the 28 chapters foreground the shifting significance of art forms throughout Pound's life, which he spent in London, Paris, Rapallo and Washington. The Companion maps Pound's practices of engagement with the arts, deepening areas of study that have recently emerged, such as his musical compositions. At the same time, it opens up new fields, particularly Pound's interaction with the performing arts: opera, dance, and cinema. The book demonstrates overall that Ezra Pound was no mere spectator of the modernist revolution in the arts; rather he was an agent of change, a doer and promoter who also had a deep emotional response to the arts. Roxana Preda is Researcher and Leverhulme Fellow at the University of Edinburgh.
About the author
Roxana Preda is Researcher and Leverhulme Fellow at the University of Edinburgh and currently engaged in work on The Cantos Project, a digital research environment dedicated to Ezra Pound's major poem, The Cantos. She currently serves as the President of Ezra Pound Society and is senior editor of the society digital quarterly, Make It New, which she created in 2014.
Summary
The present volume of new, interdisciplinary scholarship investigates the arts with which Pound had a lifelong interaction including architecture, ballet, cinema, music, painting, photography and sculpture.
