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Monster: Distortion, Abstraction, and Originality in Contemporary American Poetry argues that memorable and resonant poetry often distorts form, image, concept, and notions of truth and metaphor. Discussing how changes in electronic communication and artificial notions of landscape have impacted form and content in poetry, Monster redefines the idea of what is memorable and original through a broad range of poets including John Ashbery, Anne Carson, Thomas Sayers Ellis, Forrest Gander, Peter Gizzi, Jorie Graham, Robert Hass, Brenda Hillman, Laura Kasischke, W. S. Merwin, Srikanth Reddy, Donald Revell, Mary Ruefle, Arthur Sze, and James Tate.
About the author
Mark Irwin received his PhD in English/comparative literature from Case Western Reserve University and his MFA in poetry from the University of Iowa Writers¿ Workshop. He is the author of nine collections of poetry, including American Urn: New & Selected Poems (1987¿2014). He has also translated two volumes of poetry. Recognition for his work includes The Nation/Discovery Award, two Colorado Book Awards, four Pushcart Prizes, the James Wright Poetry Award, and fellowships from the Fulbright, Lilly, NEA, and Wurlitzer Foundations. He is Associate Professor in the PhD in Creative Writing & Literature Program at the University of Southern California and lives in Los Angeles and Colorado.
Summary
Monster: Distortion, Abstraction, and Originality in Contemporary American Poetry argues that memorable and resonant poetry often distorts form, image, concept, and notions of truth and metaphor.
Report
"In these essays Mark Irwin moves among poems like an ecstatic bee in pollen season. No one more zealous at placing both particulars and compositions under the strong light of a concept, whether distortion, transition, abstraction, or time."-Calvin Bedient, Author, He Do the Police in Different Voices: The Waste Land and Its Protagonist
