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The church and the contemporary art world often find themselves in an uneasy relationship in which misunderstanding and mistrust abound.
On one hand, the leaders of local congregations, seminaries, and other Christian ministries often don't know what to make of works by contemporary artists. Not only are these artists mostly unknown to church leaders, they and their work often lead them to regard the world of contemporary art with indifference, frustration, or even disdain.
On the other hand, many artists lack any meaningful experience with the contemporary church and are mostly ignorant of its mission. Not infrequently, these artists regard religion as irrelevant to their work, are disinclined to trust the church and its leaders, and have experienced personal rejection from these communities.
In response to this situation, the 2015 biennial conference of Christians in the Visual Arts (CIVA) facilitated a conversation between these two worlds. This volume gathers together essays and reflections by artists, theologians, and church leaders as they sought to explore misperceptions, create a hospitable space to learn from each other, and imagine the possibility of a renewed and mutually fruitful relationship. Contemporary Art and the Church seeks common ground for the common good of both the church and the contemporary art world.
The Studies in Theology and the Arts¿ series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.
About the author
Taylor Worley (PhD, The University of St Andrews) is associate professor of faith and culture as well as associate vice president for spiritual life and ministries at Trinity International University in Deerfield, Illinois. In both these roles, hefocuses on enabling students to see how their gifts and passions can be leveraged for greater vocational impact in the kingdom of God. He is coeditor of Theology, Aesthetics, and Culture: Responses to the Work of David Brown.
W. David O. Taylor (ThD, Duke University) is associate professor of theology and culture at Fuller Theological Seminary and the author of several books, including Prayers for the Pilgrimage, A Body of Praise, and Glimpses ofthe New Creation. In addition to a range of popular essays, he has published articles in the Calvin Theological Journal, Christian Scholar's Review, Worship, Theology Today, and Image Journal, among others. An Anglican priest, he has lectured widely on the arts, from Thailand to South Africa. In 2016 he produced a short film on the Psalms with Bono and Eugene Peterson.
Summary
The church and the contemporary art world often find themselves in an uneasy relationship in which misunderstanding and mistrust abound. Drawn from the 2015 biennial CIVA conference, these reflections from theologians, pastors, and practicing artists imagine the possibility of a renewed and mutually fruitful relationship between contemporary art and the church.
