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The term 'Jewish music' has conveyed complex and diverse meanings for people around the world across hundreds of years. This accessible and comprehensive Companion is a key resource for students, scholars, and everyone with an interest in the global history of Jewish music. Leading international experts introduce the broad range of genres found in Jewish music from the biblical era to the present day, including classical, religious, folk, popular, and dance music. Presenting a range of fresh perspectives on the subject, the chapters explore Jewish liturgy, Klezmer, music in Israel, the music of Yiddish theatre and cinema, and classical music from the Jewish Enlightenment through to the postmodern era. Additional contributions set Jewish music in context and offer an overview of the broader issues that arise in its study, such as questions of Diaspora, ontology, economics, and the history of sound technologies.
About the author
Joshua S. Walden is a member of the faculty of musicology at the Peabody Conservatory, Johns Hopkins University. He is the author of Sounding Authentic: The Rural Miniature and Musical Modernism (2014), and editor of Representation in Western Music (Cambridge, 2013). He has published articles on subjects including Jewish music, film music, eighteenth-century music, and intersections between music and the visual arts, in journals including the Journal of the American Musicological Society, the Journal of the Royal Musical Association, the Journal of the Society for American Music, and Musical Quarterly.
Summary
This Companion is a key resource for students, scholars, and everyone with an interest in the global history of Jewish music. Chapters by international experts offer an accessible overview of key topics from the biblical era to the present day.
