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Informationen zum Autor Axel Bangert, NYU Berlin, GermanyNatalia Sanjuán Bornay, Flinders University, AustraliaMercedes Camino, Lancaster University, UKJennie M. Carlsten, University of Ulster, UKPaul Cooke, University of Leeds, UKGianluca Fantoni, Nottingham Trent University, UKLiz Greene, Dublin City University, IrelandAndrew Hennlich, Michigan University, USANike Jung, University of Warwick, UKFearghal McGarry, Queen's University, Belfast, UKAlison Ribeiro de Menezes, University of Warwick, UKRobert A. Rosenstone, California Institute of Technology, USARob Stone, University of Birmingham, UKJames Ward, University of Ulster, UK Klappentext Using an interdisciplinary approach, Film, History and Memory broadens the focus from 'history', the study of past events, to 'memory', the processes - individual, generational, collective or state-driven - by which meanings are attached to the past. Zusammenfassung Using an interdisciplinary approach, Film, History and Memory broadens the focus from 'history', the study of past events, to 'memory', the processes – individual, generational, collective or state-driven – by which meanings are attached to the past. Inhaltsverzeichnis List of Figures Notes on Contributors Introduction; Jennie M. Carlsten and Fearghal McGarry 1. A Very Long Engagement: The Use of Cinematic Texts in Historical Research; Gianluca Fantoni 2. Screening European Heritage: Negotiating Europe's Past via the 'Heritage Film'; Axel Bangert, Paul Cooke and Rob Stone 3. Confronting Silence and Memory in Contemporary Spain: The Grandchildren's Perspective; Natalia Sanjuan Bornay 4. The Enchantment and Disenchantment of the Archival Image: Politics and Affect in Contemporary Portuguese Cultural Memories; Alison Ribeiro de Menezes 5. Foundational Films: The Memorialization of Resistance in Italy, France, Belarus and Yugoslavia; Mercedes Camino 6. Amnesty With a Movie Camera; Andrew J. Hennlich 7. History, Fiction, and the Politics of Corporeality in Pablo Larraín's Dictatorship Trilogy; Nike Jung 8. Remember 1688? The Draughtsman's Contract, the 'Glorious Revolution' and Public Memory; James Ward 9. Not Thinking Clearly: History and Emotion in the Recent Irish Cinema; Jennie Carlsten 10. Music and Montage: Punk, Speed and Histories of the Troubles; Liz Greene 11. Reflections on What the Filmmaker Historian Does (to History); Robert A. Rosenstone Index...
List of contents
List of Figures Notes on Contributors Introduction; Jennie M. Carlsten and Fearghal McGarry 1. A Very Long Engagement: The Use of Cinematic Texts in Historical Research; Gianluca Fantoni 2. Screening European Heritage: Negotiating Europe's Past via the 'Heritage Film'; Axel Bangert, Paul Cooke and Rob Stone 3. Confronting Silence and Memory in Contemporary Spain: The Grandchildren's Perspective; Natalia Sanjuan Bornay 4. The Enchantment and Disenchantment of the Archival Image: Politics and Affect in Contemporary Portuguese Cultural Memories; Alison Ribeiro de Menezes 5. Foundational Films: The Memorialization of Resistance in Italy, France, Belarus and Yugoslavia; Mercedes Camino 6. Amnesty With a Movie Camera; Andrew J. Hennlich 7. History, Fiction, and the Politics of Corporeality in Pablo Larraín's Dictatorship Trilogy; Nike Jung 8. Remember 1688? The Draughtsman's Contract, the 'Glorious Revolution' and Public Memory; James Ward 9. Not Thinking Clearly: History and Emotion in the Recent Irish Cinema; Jennie Carlsten 10. Music and Montage: Punk, Speed and Histories of the Troubles; Liz Greene 11. Reflections on What the Filmmaker Historian Does (to History); Robert A. Rosenstone Index
