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@2@@20@LONGLISTED FOR THE MAN BOOKER PRIZE 2014@21@@3@@2@The artist Harriet Burden, furious at the lack of attention paid her by the New York art world, conducts an experiment: she hides her identity behind three male fronts in a series of exhibitions. Their success seems to prove her point, but there's a sting in the tail - when she unmasks herself, not everyone believes her. Then her last collaborator meets a bizarre end. @3@@2@In this mesmerising tour de force, Burden's story emerges after her death through a variety of sources, including her (not entirely reliable) journals and the testimonies of her children, lover and a dear friend. Each account is different, however, and the mysteries multiply.@3@
About the author
Siri Hustvedt is the author of seven novels including the international bestseller What I Loved, The Blazing World, which was longlisted for the Man Booker Prize and won the Los Angeles Times Book Prize for Fiction, and Memories of the Future, as well as five collections of essays: Yonder, Mysteries of the Rectangle: Essays on Painting, A Plea for Eros, Living, Thinking, Looking and A Woman Looking at Men Looking at Women. She has also published a poetry collection, Reading To You, and the memoir The Shaking Woman or A History of My Nerves.
Hustvedt has won the International Gabarron Prize for Thought and Humanities and the European Essay Prize for her essay The Delusions of Certainty. She is a Lecturer in Psychiatry at Weill Cornell Medical College and has written on art for the New York Times and the Daily Telegraph. Born in Minnesota, Siri Hustvedt lives in Brooklyn, New York.
Summary
The brilliantly original Booker-longlisted novel from Siri Hustvedt, acclaimed author of the international bestseller What I Loved
Foreword
The devilishly playful, intellectually inspiring, emotionally involving novel from Siri Hustvedt, longlisted for the Booker Prize
Report
I have told nearly everyone I love - and some random acquaintances - to stop whatever they are doing and read [Hustvedt's] new novel . . . The Blazing World is the playful, ebullient, brainy story of Harriet "Harry" Burden, an artist in her early sixties . . . The book is clearly a feminist undertaking but joyously, unpredictably so. Hustvedt eschews all feminist cliché. She throws herself into rich ambiguities . . . Hustvedt's novels have always been smart, accomplished, critically acclaimed but this one feels like a departure. There is more heat in it, more wildness; it seems to burst on to a whole other level of achievement and grace . . . the book will blaze through the world. Financial Times
