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Maigret's past comes to life in this vivid new translation of this evocative novel, set in the Inspector's home town. Book thirteen in the new Penguin Maigret series. Maigret savoured the sensations of his youth again: the cold, stinging eyes, frozen fingertips, an aftertaste of coffee. Then, stepping inside the church, a blast of heat, soft light; the smell of candles and incense. The last time Maigret went home to the village of his birth was for his father's funeral. Now an anonymous note predicting a crime during All Souls' Day mass draws him back there, where troubling memories resurface and hidden vices are revealed. Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret Goes Home . 'Compelling, remorseless, brilliant' John Gray 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent
About the author
Georges Simenon was born in Liège, Belgium, in 1903. An intrepid traveller with a profound interest in people, Simenon strove on and off the page to understand, rather than to judge, the human condition in all its shades. His novels include the Inspector Maigret series and a richly varied body of wider work united by its evocative power, its economy of means, and its penetrating psychological insight. He is among the most widely read writers in the global canon. He died in 1989 in Lausanne, Switzerland, where he had lived for the latter part of his life.
Summary
Maigret savoured the sensations of his youth again: the cold, stinging eyes, frozen fingertips, an aftertaste of coffee. Then, stepping inside the church, a blast of heat, soft light; the smell of candles and incense. The last time Maigret went home to the village of his birth was for his father's funeral.
Report
One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere John Banville Financial Times
