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Informationen zum Autor Robert Arp is a philosopher and ontologist who has taught at numerous colleges and universities. He is the author of Scenario Visualization: An Evolutionary Account of Creative Problem Solving (2008) and a co-author of Critical Thinking: An Introduction to Reasoning Well (2011), What's Good on TV: Understanding Ethics through Television (Wiley-Blackwell, 2011), and Philosophy DeMYSTiFieD (2011); in addition, he is editor of South Park and Philosophy: You Know, I Learned Something Today (Wiley-Blackwell, 2006). Series Editor Fritz Allhoff is an associate professor in the philosophy department at Western Michigan University, as well as a senior research fellow at the Australian National University's Centre for Applied Philosophy and Public Ethics. In addition to editing the Philosophy for Everyone series, he is also the volume editor or co-editor for several titles, including Wine and Philosophy (Wiley-Blackwell, 2007), Whiskey and Philosophy (with Marcus P. Adams, Wiley, 2009), and Food and Philosophy (with Dave Monroe, Wiley-Blackwell, 2007) . His academic research interests engage various facets of applied ethics, ethical theory, and the history and philosophy of science. Klappentext Körperkunst oder einfach nur unästhetisch: Tattoos geben immer wieder Anlass zu philosophischen Diskussionen. Dieses Sachbuch bietet aufschlussreiche Einblicke in die Geschichte der Tätowierung und zeigt, welche Schlüsse Philosophen ziehen. Zusammenfassung Body art or eyesore, tattoos provide fertile ground for philosophical discussion Whether seen as a celebration of individuality or as a conversation piece, tattoos raise intriguing philosophical questions, from aesthetics to feminism, from semiotics to the philosophy of the person. Inhaltsverzeichnis I Ink, Therefore I Foreword x Rocky Rakovic I Am, Therefore I Ink: An Introduction to Tattoos - Philosophy for Everyone: I Ink, Therefore I Am xiv Robert Arp Acknowledgments xxvii SHEET I THE HISTORY AND NATURE OF TATTOOS 1 1 Tattoos and the Tattooing Arts in Perspective: An Overview and Some Preliminary Observations 3 Charles Taliaferro and Mark Odden 2 How to Read a Tattoo, and Other Perilous Quests 14 Juniper Ellis SHEET II TATTOOS AND ART 27 3 Are Tattoos Art? 29 Nicolas Michaud 4 Fleshy Canvas: The Aesthetics of Tattoos from Feminist and Hermeneutical Perspectives 38 Kimberly Baltzer-Jaray and Tanya Rodriguez SHEET III THE TATTOOED WOMAN 51 5 Female Tattoos and Graffiti 53 Thorsten Botz-Bornstein 6 Painted Fetters: Tattooing as Feminist Liberation 65 Nancy Kang SHEET IV PERSONAL IDENTITY 81 7 Tattoo You: Personal Identity in Ink 83 Kyle Fruh and Emily Thomas 8 Illusions of Permanence: Tattoos and the Temporary Self 96 Rachel C. Falkenstern 9 My Tattoo May Be Permanent, But My Memory of It Isn't 109 Clancy Smith SHEET V EXPRESSIONS OF FREEDOM 121 10 Tattoos are Forever: Bodily Freedom and the (Im)possibility of Change 123 Felipe Carvalho 11 Bearing the Marks: How Tattoos Reveal Our Embodied Freedom 135 Jonathan Heaps SHEET VI EXPERIENCES AND STORIES SURROUNDING TATTOOS 149 12 Never Merely 'There': Tattooing as a Practice of Writing and a Telling of Stories 151 Wendy Lynne Lee 13 Something Terribly Flawed: Philosophy and 'The Illustrated Man' 165 Kevin S. Decker SHEET VII ETHICAL CONCERNS 179 14 The Vice of the Tough Tattoo 181 Jennifer Baker 15 To In...
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Review from The Scotman 8 June 2012
