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This collection of essays investigates histories in the ancient world and the extent to which the producers and consumers of those histories believed them to be true. Beginning with comparisons between historiography and aspects of belief in Greek tragedy, chapters include discussions of historiography through the works of Herodotus, Xenop
Sommario
Preface
Abbreviations
List of Contributors
1. Introduction
Ian Ruffell and Lisa Irene Hau
2. The Challenging Abundance of the Past: Pluralising and Reducing in Pindar’s Victory Songs
Jan R. Stenger
3. Tragedy and Fictionality
Ian Ruffell
4. Seventeen Types of Ambiguity in Euripides’ Helen
Matthew Wright
5. Multiple Ways to Access the Past: the Myth of Oedipus, Sophocles' Oedipus Rex and Herodotus' Histories
Catherine Darbo-Peschanski
6. Fictional Truth and Factual Truth in Herodotus
Anthony Ellis
7. Se non è vero: On the Use of Untrue Stories in Herodotus.
Katharina Wesselmann
8. Intertextuality and Plural Truths in Xenophon’s Historical Narrative
Emily Baragwanath
9. Ctesias of Cnidus: Poet, Novelist or Historian?
Alexander Meeus
10. The Aesthetics of Truth: Narrative and Historical Hermeneutics in Polybius' Histories
Nicolas Wiater
11. Truth and Moralising: the Twin Aims of the Hellenistic Historiographers
Lisa Irene Hau
12. Alexander and the Amazonian Queen: Truth and Fiction
Joseph Roisman
13. Lucian on Truth and Lies in Ancient Historiography: the Theory and its Limits
Melina Tamiolaki
Index
Info autore
Lisa Irene Hau is Lecturer in Classics at the University of Glasgow, UK. She has published articles on Greek historiography, moralising and narrative technique, and she is working on a book on moral didacticism in Greek historiography. She is co-editor of Beyond the Battlefields: New Perspectives on Warfare and Society in the Graeco-Roman World (2008).
Ian Ruffell is Lecturer in Classics at the University of Glasgow, UK. He is author of Politics and Anti-Realism in Athenian Old Comedy: the Art of the Impossible (2011) and Aeschylus: Prometheus Bound (2012).
Riassunto
This collection of essays investigates histories in the ancient world and the extent to which the producers and consumers of those histories believed them to be true. Beginning with comparisons between historiography and aspects of belief in Greek tragedy, chapters include discussions of historiography through the works of Herodotus, Xenop
