Ulteriori informazioni
Zusatztext ‘This is a magnificent, provocative, and daring book, depicting the changing developments of the sense of Self and its functions, over several millennia. Spira presents a continuous flow of new arguments in which the sense of Self is seen adapting to the ever-changing circumstances of each century. It is an astonishing achievement, marked by range, intelligence and wit. This is a brilliant discursive collection of essays never tangled. Its arguments, discourse and its sentences remain clear and elegant at every point.’ Informationen zum Autor Andrew Spira is an independent art historian and curator. For several years, he was a curator at the Victoria and Albert Museum, London, UK, and subsequently Course Leader at Christie's Education London. He is author of The Avant-Garde Icon: Russian Avant-garde Art and the Icon Painting Tradition (2008). Klappentext This book is an examination of personal identity, exploring both who we think we are, and how we construct the sense of ourselves through art. It proposes that the notion of personal identity is a psycho-social construction that has evolved over many centuries. While this idea has been widely discussed in recent years, Andrew Spira approaches it from a completely new point of view. Rather than relying on the thinking subject's attempts to identify itself consciously and verbally, it focuses on the traces that the self-sense has unconsciously left in the fabric of its environment in the form of non-verbal cultural conventions. Covering a millennium of western European cultural history, it amounts to an 'anthropology of personal identity in the West'. Following a broadly chronological path, Spira traces the self-sense from its emergence from the collectivity of the medieval Church to its consummation in the individualistic concept of artistic genius in the 19th century. In doing so, it aims to bridge a gap that exists between cultural history and philosophy. Regarding cultural history (especially art history), it elicits significances from its material that have been thoroughly overlooked. Regarding philosophy, it highlights the crucial role that material culture plays in the formation of philosophical ideas. It argues that the sense of personal self is as much revealed by cultural conventions - and as a cultural convention - as it is observable to the mind as an object of philosophical enquiry. Vorwort A radically new and practical approach to the question of personal identity: who do we think we are, and how do we construct our sense of ourselves through art Zusammenfassung This book is an examination of personal identity, exploring both who we think we are, and how we construct the sense of ourselves through art. It proposes that the notion of personal identity is a psycho-social construction that has evolved over many centuries. While this idea has been widely discussed in recent years, Andrew Spira approaches it from a completely new point of view. Rather than relying on the thinking subject’s attempts to identify itself consciously and verbally, it focuses on the traces that the self-sense has unconsciously left in the fabric of its environment in the form of non-verbal cultural conventions. Covering a millennium of western European cultural history, it amounts to an ‘anthropology of personal identity in the West’.Following a broadly chronological path, Spira traces the self-sense from its emergence from the collectivity of the medieval Church to its consummation in the individualistic concept of artistic genius in the 19th century. In doing so, it aims to bridge a gap that exists between cultural history and philosophy. Regarding cultural history (especially art history), it elicits significances from its material that have been thoroughly overlooked. Regarding philosophy, it highlights the crucial role that material culture plays in the formation of philosophical ideas. It argues th...
