Robert Louis Stevenson, Literary Networks Transatlantic Publishing - The Author Incorporated

Focusing on an author characterised by geographical and aesthetic mobility, and on those who worked with him or wrote for him, 'Robert Louis Stevenson, Literary Networks and Transatlantic Publishing in the 1890s' investigates the operations of transatlantic literary networks during a period of key changes in transatlantic publishing through a series of critical case studies.

Info autore

Glenda Norquay is chair in Scottish Literary Studies at Liverpool John Moores University, UK, and head of its Research Institute for Literature and Cultural History. With interests in Robert Louis Stevenson, Scottish literature more generally, women's fiction and literary reception/production, she is the author of Robert Louis Stevenson and Theories of Reading (2007); editor of the Edinburgh Companion to Scottish Women's Writing (2012); and co-editor of a volume on archipelagic cultural politics, Across the Margins (2002). Norquay has also written extensively on Scottish women's fiction and on the politics of suffrage literature.

Riassunto

Focusing on an author characterised by geographical and aesthetic mobility, and on those who worked with him or wrote for him, 'Robert Louis Stevenson, Literary Networks and Transatlantic Publishing in the 1890s' investigates the operations of transatlantic literary networks during a period of key changes in transatlantic publishing through a series of critical case studies.

Dettagli sul prodotto

• Autori: Glenda Norquay
• Editore: Anthem Press
• Lingue: Inglese
• Formato: Copertina rigida
• Pubblicazione: 31.01.2020
• EAN: 9781785272844
• ISBN: 978-1-78527-284-4
• Pagine: 242
• Serie: Anthem Studies in Book History, Publishing and Print Culture
• Categorie: Narrativa > Poesia lirica, drammatica; Scienze umane, arte, musica > Scienze linguistiche e letterarie > Letteratura / linguistica inglese; Literary studies: fiction, novelists & prose writers, Literary studies: fiction, novelists and prose writers, LITERARY CRITICISM / Novel as Form