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A story of time-travel and undying love, Wyomings is a fiction that emerges from the author’s real-life fieldwork as a practicing anthropologist, from a life spent studying ghost towns, remote islands, haunted highways. In the tradition of Sebald, Borges, and Calvino, the author carves a carefully fractured and reassembled memory-scape about how, after a violent rupture in time, people’s ghosts arrived to erase them.
Wyomings is the rough assemblage and translation of the diaries and field notes of a narrator imprisoned in the refuge of bent loops of time, chasing a vanished love through an endless series of Befores, through a multiplicity of lives as time unravels and decays. The few who remembered what it was like in the last days were left with only fragments of fragments of memories, obscured and scratched. The last remnant of the Old Era, Wyomings is the story of dozens of tiny particles, solar systems of abandoned time, epistles to lives-once-lived and sunburned fables.
