Fr. 186.00

Music At the Margins - Popular Music and Global Cultural Diversity

Inglese · Tascabile

Spedizione di solito entro 1 a 3 settimane (non disponibile a breve termine)

Descrizione

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Is there a growing homogenization of the world's popular music? Or, conversely, is there a continuing and perhaps ever increasing diversity of song styles and forms? With a focus is on how the process of popular music production is perceived by local musicians, this book addresses this issue, testing the more conventional `cultural imperialism' hypothesis by comparison with empirical findings from a study by the International Communication and Youth Culture Consortium.

Sommario










PART ONE: POPULAR MUSIC AND SOCIETY
Popular Music Meanings
Industrial Roots
PART TWO: NATIONAL CASE STUDIES
Popular Music in Peripheral Contexts I
Popular Music in Peripheral Contexts II
Peripheral Production and the Core Industry
PART THREE: MAKING MUSIC ON THE PERIPHERY
Everyday Conditions
Recording and Publicity Conditions
The Musicians and their Music
Environment and Creativity
PART FOUR: `POPULAR MUSIC AND SOCIETY¿ REVISITED
Further Thoughts on Popular Music Meanings
A Critical Response - Simon Frith


Riassunto

Aims to determine whether there is a growing homogenization of the world's popular music, or whether there is a continuing and perhaps ever-increasing diversity of song styles and forms. Focuses on how the process of popular music production is perceived by local musicians and reflects upon theory.

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