Art Nouveau and the Classical Tradition

Art Nouveau was a style for a new age, but it was also one that continued to look back to the past. This new study shows how in expressing many of their most essential concerns - sexuality, death and the nature of art - its artists drew heavily upon classical literature and the iconography of classical art. It challenges the conventional view that Art Nouveau''s adherents turned their backs on Classicism in their quest for new forms. Across Europe and North America, artists continued to turn back to the ancient world, and in particular to Greece, for the vitality with which they sought to infuse their creations.The works of many well-known artists are considered through this prism, including those of Gustav Klimt, Aubrey Beardsley and Louis Comfort Tiffany. But, breaking new ground in its comparative approach, this study also considers some of the movement''s less well-known painters, sculptors, jewellers and architects, including in central and eastern Europe, and their use of classical iconography to express new ideas of nationhood. Across the world, while Art Nouveau was a plural style drawing on multiple influences, the Classics remained a key artistic vocabulary for its artists, whether blended with Orientalist and other iconographies, or preserving the purity of classical form.>

Info autore

Richard Warren is a research associate at Royal Holloway, University of London, UK. His Arts and Humanities Research Council-funded doctorate at Durham University focused on the relationship between classical history and European nationalism in nineteenth-century art. He has co-edited Graeco-Roman Antiquity and the Idea of Nationalism in the 19th Century (2016).

Dettagli sul prodotto

• Autori: Richard Warren, Richard (Research Associate Warren
• Con la collaborazione di: Filippo Carla-Uhink (Editore), Martin Lindner (Editore)
• Editore: Bloomsbury Academic
• Lingue: Inglese
• Formato: Copertina rigida
• Pubblicazione: 31.12.2017
• EAN: 9781474298551
• ISBN: 978-1-4742-9855-1
• Pagine: 232
• Serie: Imagines - Classical Reception; Imagines - Classical Receptions in the Visual and Performing Arts; Imagines - Classical Reception; IMAGINES – Classical Receptions in the Visual and Performing Arts
• Categorie: Scienze umane, arte, musica > Arte > Tematiche generali, enciclopedie; Art Nouveau, Theory of art, HISTORY / Ancient / General, ART / History / Ancient & Classical, ART / Criticism & Theory, ART / History / Modern (late 19th Century to 1945), History of Art, Modernism, Ancient World, Ancient History, Classical history / classical civilisation, Classical style, BCE period – Protohistory, Art & design styles: Art Nouveau, The arts: general topics