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Informationen zum Autor Ben McCann is Senior Lecturer in French Studies at the University of Adelaide. He is the coeditor of Cinema Utopia: The Cinema of Michael Haneke (2011). Klappentext Le Jour se leve (1939) directed by Marcel Carne, is widely recognised as the classic French Poetic Realist film. Told in flashback, it recounts the story of a man who has committed a murder, and who awaits his fate as the police close in. Carne shuttles between different registers, tones and textures throughout, marshalling the studio's resources to create striking pictorial compositions. The film also contains the great French star Jean Gabin's most iconic performance as Francois, marooned at the top of his apartment building. Ben McCann's perceptive and lively book traces the evolution of Le Jour se leve and situates it in a very specific historical moment. He also underlines the importance of actors Jules Berry and Arletty, production designer Alexandre Trauner, writer Jacques Prevert and cinematographer Curt Courant in establishing the film's tone, mood and visual style. He charts the national and international reception of the film, uncovering a work that deeply divided critics at a time of national crisis. He also reveals Le Jour se leve to be a key transitional work between European and American noir and compares it with the 1947 Hollywood remake. Highlighting its combination of the 'poetic' and the 'realist' this book finally stresses how Le Jour se leve represents the very best of pre-war French studio filmmaking. Vorwort Recounts the story of a man who has committed a murder, and who awaits his fate as the police close in. In this book, the author shuttles between different registers, tones, and textures throughout, marshalling the studio's resources to create striking pictorial compositions. Zusammenfassung Recounts the story of a man who has committed a murder, and who awaits his fate as the police close in. In this book, the author shuttles between different registers, tones, and textures throughout, marshalling the studio's resources to create striking pictorial compositions. Inhaltsverzeichnis DedicationAcknowledgements Synopsis Introduction NotesContext and PlanningCarné and the teamFrance in the 1930s - The Film Industry and Dominant GenresPoetic RealismFilming Le Jour se lèveNotes2. Structure, Set Design, StyleStructureSet DesignStyleNotes3. Performance and PoliticsPerformance stylesSequence analysis I: the café-concert (26m. 56s.)Gender politicsSequence analysis II: the greenhouse (56m. 14s.)Class strugglesSequence analysis III: François’s death (1h 19m. 23s.)A reflectionist film?Notes4. Reception and RemakeFrench receptionBlame the barometer?International receptionLe Jour se lève remade – ‘As dark as a Hallmark card?’Afterlife I: Whatever happened to Marcel Carné?Afterlife II: The rise and rise of Le Jour se lèveNotesConclusionNotesAppendix 1: CreditsAppendix 2: Marcel Carné filmographyAppendix 3: Select bibliography...
