En savoir plus
Through an indigenous and new materialist thinking approach, this book discusses various examples in Africa where colonial public art, statues, signs, and buildings were removed or changed after countries' independence.
A propos de l'auteur
Elmarie Costandius is Associate Professor in the Visual Arts Department at Stellenbosch University, South Africa.
Gera de Villiers is Postdoctoral Fellow for Visual Redress at Stellenbosch University, South Africa.
Résumé
Through an indigenous and new materialist thinking approach, this book discusses various examples in Africa where colonial public art, statues, signs, and buildings were removed or changed after countries’ independence.