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Informationen zum Autor Richard Patterson, De Montfort University, Leicester, UK. Klappentext "The Tragic in Architecture" ist ein neuer Band der erfolgreichen Reihe 'Architectural Design'. Er enthält eine weitreichende und tiefgreifende Betrachtung über die Bedeutung der Architektur. Hat die modernistische Architektur des 20. Jahrhunderts es für immer unmöglich gemacht, die großen Themen der Kunst in der Architektur zu verwirklichen? Mit dieser Frage setzen sich herausragende Architekturautoren und Kulturkritiker in verschiedenen Essays auseinander. Mit Beiträgen von Robert Maxwell, Jeremy Melvin, Mark Cousins und Alex Neill und mit einer Fülle von Bildmaterial zu historischen Bauwerken und Arbeiten zeitgenössischer Archtitekten, wie z.B. Daniel Libeskind, David Chipperfield, Peter Eisenman, Norman Foster, Freed, Nicholas Grimshaw, John Outram und May Lin. Zusammenfassung Some of the most far--reaching questions about the meaning of contemporary architecture are explored in this extensive work. The subject matter has attracted a great deal of interest from some prominent contemporary critics, who are some of the contributors to the book. Inhaltsverzeichnis Editorial.Introduction (R. Patterson).Approaching the Void: Can the Tragic Appear in Architecture? (R. Maxwell).The Disorder of Order and After (J. Outram).The Virtuous Tower (D. Hamilton).Signs of Tragedy Past and Future: Reading the Berlin Reichstag (T. Martin).The Metamorphosis of Tragedy (R. Patterson).Death in Venice (H. Castle).Introduction to the Holocaust Section (R. Patterson).Mapping Tragedy in the US Holocaust Memorial Museum (J. Branham).Eisenman's Design for the Berlin Holocaust Memorial - a Modern Statement? (A. Schmeing).The Void that is Subject (R. Patterson).Reconstructing Recollection: Making Space for Memory (Y. Padan).Sacraria, Tragedy and the Interior Narrative (E. Winters).Sitting in the White Horse, Thinking about a White Elephant (P. Davies).A Quiet Revolution: Women in French Practice (R. Such).Being There (H. Beck).Two Projects in Brasìlia (T. Deckker).Practice Profile: General Lighting and Power (I. Borden).Book Review (R. Maxwell).Site Lines: Wandich Summer Residence (S. Stanwick)....
Table des matières
Editorial.
Introduction (R. Patterson).
Approaching the Void: Can the Tragic Appear in Architecture? (R. Maxwell).
The Disorder of Order and After (J. Outram).
The Virtuous Tower (D. Hamilton).
Signs of Tragedy Past and Future: Reading the Berlin Reichstag (T. Martin).
The Metamorphosis of Tragedy (R. Patterson).
Death in Venice (H. Castle).
Introduction to the Holocaust Section (R. Patterson).
Mapping Tragedy in the US Holocaust Memorial Museum (J. Branham).
Eisenman's Design for the Berlin Holocaust Memorial - a Modern Statement? (A. Schmeing).
The Void that is Subject (R. Patterson).
Reconstructing Recollection: Making Space for Memory (Y. Padan).
Sacraria, Tragedy and the Interior Narrative (E. Winters).
Sitting in the White Horse, Thinking about a White Elephant (P. Davies).
A Quiet Revolution: Women in French Practice (R. Such).
Being There (H. Beck).
Two Projects in Brasìlia (T. Deckker).
Practice Profile: General Lighting and Power (I. Borden).
Book Review (R. Maxwell).
Site Lines: Wandich Summer Residence (S. Stanwick).
