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Informationen zum Autor Glenn Adamson is Deputy Head of Research at the Victoria and Albert Museum, where he leads a graduate programme in the History of Design. He is co-editor of The Journal of Modern Craft , and author of Thinking Through Craft (2007) and The Craft Reader (2010). Giorgio Riello is Associate Professor in Global History and Culture at the University of Warwick, UK. He is the author of A Foot in the Past (2006) and has recently co-edited The Spinning World: A Global History of Cotton Textiles, 1200–1850 (2009) and The Fashion History Reader (2010). Sarah Teasley is Tutor in the History of Design and Liaison Tutor in Critical and Historical Studies at the Royal College of Art, UK. She is co-author of 20th Century Design History (2005), and a specialist in the history of design for mass production in modern Japan. Klappentext Globalism is often discussed using abstract terms, such as 'networks' or 'flows' and usually in relation to recent history. Global Design History moves us past this limited view of globalism, broadening our sense of this key term in history and theory. Individual chapters focus our attention on objects, and the stories they can tell us about cultural interactions on a global scale. They place these concrete things into contexts, such as trade, empire, mediation, and various forms of design practice. Among the varied topics included are: the global underpinnings of Renaissance material culturethe trade of Indian cottons in the eighteenth-centurythe Japanese tea ceremony as a case of 'import substitution' German design in the context of empire handcrafted modernist furniture in Turkey Australian fashions employing 'ethnic' motifs an experimental UK-Ghanaian design partnershipChinese social networking websites the international circulation of contemporary architects.Featuring work from leading design historians, each chapter is paired with a 'response', designed to expand the discussion and test the methodologies on offer. An extensive bibliography and resource guide will also aid further research, providing students with a user friendly model for approaches to global design.¿Global Design History will be useful for upper-level undergraduate and postgraduate students, academics and researchers in design history and art history, and related subjects such as anthropology, craft studies and cultural geography. Zusammenfassung This book gathers together a number of leading design historians whose research points the way forward, aiming to address and promote changes to design history. Inhaltsverzeichnis Selected Contents: Preface Introduction: Towards Global Design History Sarah Teasley, Giorgio Riello, and Glenn Adamson 1. The Global Renaissance: Cross-Cultural Material Culture and the Creation of a Community of Taste Marta Ajmar-Wollheim and Luca Molà Response by Dana Leibsohn 2. Global Design in Jingdezhen: Local Production and Global Connections Anne Gerritsen Response by Beverly Lemire 3. Indian Cottons and European Fashion, 1400-1800 John Styles Response by Prasannan Parthasarathi 4. Import Substitution, Innovation and the Tea Ceremony in Fifteenth and Sixteenth-Century Japan Christine M. E. Guth Response by Maxine Berg 5. The Globalization of the Fashion City Christopher Breward Response by Simona Segre Reinach 6. Performing White South African Identity through International and Empire Exhibitions Dipti Bhagat Response by Angus Lockyer 7. ‘From the Far Corners’: Telephones, Globalization, and the Production of Locality in the 1920s Michael J. Golec Response by Anne Balsamo 8. The Globalization of the Deutscher Werkbund: Design Refor...
