En savoir plus
2020 Reprint of the 1959 Edition. Full facsimile of the original edition and not reproduced with Optical Recognition software. This edition reprints the first English Language Edition translated by Gregory Zilboorg in 1924 and published by E. P. Dutton in New York. Contains a new introduction by Peter Rudy and a preface by Marc Slonim. The novel describes a world of ostensible harmony and conformity within a united totalitarian state. George Orwell claimed that Aldous Huxley's 1931 Brave New World must be partly derived from We, but Huxley denied it.
Along with Jack London's The Iron Heel, We is generally considered to be the grandfather of the satirical futuristic dystopia genre. It takes the modern industrial society to an extreme conclusion, depicting a state that believes that free will is the cause of unhappiness, and that citizens' lives should be controlled with mathematical precision based on the system of industrial efficiency created by Frederick Winslow Taylor. The Soviet attempt at implementing Taylorism, led by Aleksei Gastev, may have influenced Zamyatin's portrayal of the One State. It remains a classic nearly one hundred years after publication.
A propos de l'auteur
Born in Russia in 1884, Yevgeny Zamyatin was one of those courageous and idealistic Communists who was willing to suffer for speaking out against the abuses of both the oppressive Tsarist monarchy and the quickly corrupted Soviet Union which supplanted it. As an early Bolshevik, Zamyatin enjoyed-at least initially-enough credibility after the October Revolution to continue to write philosophy and even political satire, becoming one of the first Soviet dissidents. This ended with his attempted publication in 1921 of his masterpiece, We, a novel about a futuristic police state that controlled not only every action of its citizens, but every thought and emotion as well. The parallels between his fictional One State and the emerging totalitarianism of the Communist Party were unmistakable, and We was the first work to be banned by the Soviet censorship board. Forced to look elsewhere for an audience, Zamyatin smuggled his work out of Russia and published it in the West. As a result, he was blacklisted entirely, and hence, to remain a writer, Zamyatin was forced to leave Russia. His petition for an exit visa to Stalin was granted (some say miraculously), though he never achieved the fame or genius outside Russia he had known within it. Zamyatin died in relative obscurity in Paris in 1937, five years after the publication of Brave New World, and twelve years before Nineteen Eighty-Four, two derivative works which would cement Zamyatin's place as one of the most influential authors of all time.
