Polyphony in Medieval Paris The Art of Composing With Plainchant

Presents new methodologies to explore medieval processes of musical and poetic creation, from plainchant and vernacular French songs to organa, motets and clausulae. Engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring authorship, originality, practices of quotation and reworking.

A propos de l'auteur

Catherine A. Bradley is Associate Professor at the Universitetet i Oslo. She has published widely on the earliest motets in journals including Speculum, the Journal of Musicology, Music Analysis, and Early Music History.

Résumé

Presents new methodologies to explore medieval processes of musical and poetic creation, from plainchant and vernacular French songs to organa, motets and clausulae. Engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring authorship, originality, practices of quotation and reworking.

Détails du produit

• Auteurs: Catherine A. Bradley, Catherine A. (Universitetet I Oslo) Bradley
• Edition: Cambridge University Press ELT
• Contenu: Livre
• Forme du produit: Livre de poche
• Date de parution: 31.01.2020
• Catégorie: Sciences humaines, art, musique > Musique > Histoire de la musique
• EAN: 9781108407571
• ISBN: 978-1-108-40757-1
• Nombre de pages: 299
• Thème: Music in Context
• Catégories: History, HISTORY / General, MUSIC / History & Criticism, MUSIC / Printed Music / General, SOCIAL SCIENCE / Archaeology, MUSIC / Genres & Styles / Classical, CE period up to c 1500, Archaeology, Music reviews & criticism, Renaissance style, Music reviews and criticism, History and Archaeology, Musical scores, lyrics & libretti, C 500 CE To C 1000 CE, Art music, orchestral and formal music, Musical scores, lyrics and libretti, Medieval & Renaissance music (c 1000 to c 1600), Medieval style, Western "classical" music