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Table des matières
Preface , Introduction , Art as Reparation , Infantile anxiety-situations reflected in a work of art and in the creative impulse , A psycho-analytical approach to aesthetics , Three unconscious phantasy of an inner world reflected in examples from literature , The role of illusion in symbol formation , The invitation in art , Post-Kleinian Thought , The apprehension of beauty , The delusion of clarity of insight , The relation of dreaming to learning from experience in patient and analyst , The aesthetic object , Concerning the perception of one's own attributes and its relation to language development , On turbulence , Dénouement , Aesthetic conflict: its place in the developmental process , The place of aesthetic conflict in the analytic process , New considerations on the concept of the aesthetic conflict , The geographic dimension of the mental apparatus , The compartments of the internal mother , Disorders of thought , The lobby of dreams , Aesthetic appreciation through symbolic congruence , Keats: soul-making , Entry to the claustrum , Parallel directions in psychoanalysis
A propos de l'auteur
Donald Meltzer (1923-2004) is widely known as a psychoanalyst and teacher throughout Europe and South America. He is the author of many works on psychoanalytic theory and practice, including 'The Psychoanalytical Process', 'Sexual States of Mind', 'Explorations in Autism', 'The Kleinian Development', 'Dream Life', 'Studies in Extended Metapsychology', and 'The Claustrum', all published by Karnac Books.Sandra Gosso is a researcher in dynamic psychology at the University of Pisa, Italy where she also teaches Psychology of Art in the Cinema, Music and Theatre course (CMT). She has contributed to various books in the field of psychoanalysis and she is the author of 'Paesaggi delle mente: una psicoanalisi per l'estetica' (Franco Angeli, Milan 1997).
Résumé
This essential edition brings together a collection of classic papers from key figures in Kleinian and post-Kleinian thought that explore the relationship between psychoanalysis and art. Sandra Gosso begins with a comprehensive and fascinating guide to the history of this relationship which began with Freud.
