En savoir plus
This book interrogates the meeting point between Afrofuturism and Black Sound Studies. Whereas Afrofuturism is often understood primarily in relation to science fiction and speculative fiction, it can also be examined from a sonic perspective.
The sounds of Afrofuturism are deeply embedded in the speculative - demonstrated in mythmaking - in frameworks for songs and compositions, in the personas of the artists, and in how the sounds are produced. In highlighting the place of music within the lived experiences of African Americans, the author analyses how the perspectives of Black Sound Studies complement and overlap with the discussion of sonic Afrofuturism. Focusing upon blackness, technology, and sound, this unique text offers key insights in how music partakes in imagining and constructing the future.
This innovative volume will appeal to students and scholars of sound studies, musicology and African American studies.
A propos de l'auteur
Erik Steinskog
is Associate Professor of Musicology at the Department of Arts and Cultural Studies, University of Copenhagen, Denmark. Erik's work primarily deals with twentieth and twenty-first century music, with an approach inspired by interdisciplinary cultural studies. He also works with parallels between music and other means of expression, as well as how an understanding based in afrofuturism can go into dialogue with other perspectives and other musical expressions, so far less understood in relation to afrofuturism.
Résumé
A timely and ambitious text founded on contemporary interests in scholarly and media/artistic productionUniquely focuses upon the the sonic in Afrofuturism
Contributes a necessary engagement with race within sound studies
Texte suppl.
"This unusual book gives a voice to the voiceless--the chronically disabled who, in our health-conscious society, are defined by their disease....In this advocacy book, written like a personal journal, Cohen tells their stories....Strong at the Broken Places ends on a note of hope."
