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After the key moments of the livre d'artiste (from Manet/Mallarmé to Picasso/Reverdy) and Surrealist art, how did the text/image relationship evolve in twentieth-century French culture? By what epistemological and aesthetic frameworks was it determined and, in turn, what new signs and practices, what new meanings did it produce? This book offers a series of answers to these questions by looking at several case studies including Marguerite Duras' filmic rewriting, Pierre Klossowski's shift from writing to painting, contemporary video-poetry, Gilles Deleuze's philosophical engagement with Bacon and Giacometti, and CD-Rom aesthetics. What brings the various essays in this volume together is a challenging new reading of the text/image relationship as a porous boundary through which texts and images no longer merely illustrate or stand by each other but interpenetrate, hybridise or restructure one another.
Table des matières
Contents: Jérôme Game: Genealogies of the Porous: The Text/Image Relationship from Representation to Differentiation - Hervé Castanet: Inhuman Diana - Jacques Rancière: The Space of Words: From Mallarmé to Broodthaers - Marie-Claire Ropars: On Filmic Rewriting: Contamination of the Arts or Destruction of Art's Identity? - Raymond Bellour: Picture-Book - Nathalie Wourm: Poetry in Moving Image: The French Avant-Garde - Jean-Michel Rey: The Discourse of the Exhibition - Timothy Mathews: Space, Place and Virtuality: Gilles Deleuze with Francis Bacon and Alberto Giacometti - Jean-Marie Gleize: An Incoherent Bleue.
A propos de l'auteur
The Editor: Jérôme Game is Assistant Professor of Film Studies and Philosophy at the American University of Paris. He received his Ph.D. from Cambridge University in 2002 and was a Mellon Post-Doctoral Fellow in the Humanities at University College London (2002-2004). He is currently working on a book on Jean Eustache.
