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Drawing on a broad theoretical range from speculative realism to feminist psychoanalysis and anti-colonialism, this book represents a radical departure from traditional scholarship on maritime archaeology.
Shipwreck Hauntography asserts that nautical archaeology bears the legacy of Early Modern theological imperialism, most evident through the savior-scholar model that resurrects-physically or virtually-ships from wrecks. Instead of construing shipwrecks as dead, awaiting resurrection from the seafloor, this book presents them as vibrant if not recalcitrant objects, having shaken off anthropogenesis through varying stages of ruination. Sara Rich illustrates this anarchic condition with 'hauntographs' of five Age of 'Discovery' shipwrecks, each of which elucidates the wonder of failure and finitude, alongside an intimate brush with the eerie, horrific, and uncanny.
List of contents
Illustration List, Preface: Hauntographies of Ordinary Shipwrecks, 1. Resetting the Binary Bones,Legacy (
Marigalante), Liturgy (
The Gresham Ship), Litany (
Santa Maria), Liminality (
The Nissia), 2. Broken Ship, Dead Ship, Ontology (
The Yarmouth Roads), Meontology (
Holigost), Deontology (
Mary Rose), Mereology (
Argo and Ark), 3. Among the Tentative Haunters, Conversion (
Terror and Erebus), Inversion (
Impregnable), Delirium (
Belle), Desiderium (
The Ribadeo), 4. Vibrant Corpses, Entropy (
Nuestra Senora de los Remedios), Negentropy (
Magdalena), Putrefaction (
Sanchi), Purification (
Costa Concordia), 5. Macabre Simulacra, Exploration (
Melckmeyt), Exploitation (
Thistlegorm), Eschatology (
Batavia), Elegy (
Bayonnaise), Postface. On Underwater Seances and Punk Eulogies, Complete Works Cited, Index.
About the author
Sara Rich is a maritime archaeologist, art historian, artist, and author of speculative fiction. She is currently Associate Professor, Department of Theory and History of Art and Design, Liberal Arts Division, at the Rhode Island School of Design.
