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By contextualizing the lyrics, reevaluating Ocean''s post-album release festival run, and presenting new information about the songs'' production, the book decodes the enigma that is Blonde . Frank Ocean''s Blonde is a contemporary classic. Sandwiched between Elvis Presley and the Sex Pistols at #79 on Rolling Stones'' 500 Greatest Albums of All Time list, Blonde defined a generation in the almost nine years since its release. Yet, the album is still a mystery to so many. Besides a handful of interviews, a hefty 360-page zine titled Boys Don''t Cry , and Tumblr posts from around the time of the album''s release, Frank Ocean has distanced himself as much as possible from the album and the conversations involving it. It is one of the seminal works in the 2010s Afrofuturism revival, which this book highlights by pointing at the role of modern technology in society, including a dialogue about its misgivings and its ability to manipulate time, memory, and emotions. It spotlights the summer leading up to the album, the album''s release, a track-by-track rundown illustrating the album''s narrative, along with a discussion about its lasting cultural impact. This is a man who headlined Coachella 2023 despite releasing only ten singles and no album in the eight years prior. How did he manage to maintain such a prophetic status for all those years? The answer is simple: Blonde.
List of contents
1. Summer '16
2. Boys Don't Cry
3. "Nikes" and a Trip Into the Unknown
4. "Ivy" and the Loss of Innocence
5. "Pink + White" and Blonde's Color Palette
6. "Be Yourself" and Growing Pains
7. "Solo" and the Search for Self-Love
8. "Skyline To" and the Race Against Time
9. "Self Control" and the Fallibility of Young Love
10. "Good Guy" and Love in the Digital Age
11. "Nights" and the Perfect Split
12. "Solo (Reprise)" and the Cost of Greatness
13. "Pretty Sweet" and Recording Sessions in the UK
14. "Facebook Story" and the Failures of Modernity
15. "Close To You" and a Return to Analog
16. "White Ferrari" and Farewells
About the author
Yousef Srour is a Los Angeles-based freelance writer and music journalist. He has a column at Passion of the Weiss titled BAY AREA TYPE BEAT, he is a frequent contributor to the Vallejo Sun and Stereogum, and his work has been featured in Variety, FADER, Pitchfork, HipHopDX and more.
