Read more
American popular culture presents straight white men as either dancing badly or refusing to dance. With this phenomenon at its centre, Addie Tsai''s book analyses movement from white men on screen in order to discern how dance in American popular culture reflects gender and race ideologies. In particular, it focuses on how the ''straight white man can''t dance'' trope is used to leverage status and influence. Why it is then that this trope continues to be perpetuated across American popular culture when it contributes to homophobic, sexist and racist oppressions? Looking back through history for early iterations of this trope, the book demonstrates how both minstrelsy and vaudeville are instrumental in providing a historic model for ethnic mimicry in dance - ie. what it means to dance "white" as opposed to what it means to dance "Black". This book challenges how these choreographies reinforce or subvert traditional norms of gender and race, and illustrates how dance can reinforce outdated or complicated modes of gender and racial identity within American popular culture.
About the author
Addie Tsai (any/all) is the author of Dear Twin (2019), included in American Library Association’s Rainbow List in 2021, and Unwieldy Creatures (2022), a Shirley Jackson finalist for Best Novel. She collaborated with Dominic Walsh Dance Theater on Victor Frankenstein and Camille Claudel, among others. They are the founding editor in chief for just femme & dandy. Addie is an Assistant Teaching Professor of Creative Writing at William & Mary, where she is Affiliate Faculty in Gender, Sexuality, and Women’s Studies. She is the author of Straight White Men Can’t Dance: American Masculinity in Film and Popular Culture (Bloomsbury, forthcoming). Her articles have been published in LO:TECH:POP:CULT: Screendance Remixed (2024), The Bloomsbury Handbook of Dance and Philosophy (2021), Slapstick: An Interdisciplinary Companion (2021), and The International Journal of Screendance.
