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Offering a new approach seen through a variety of frameworks, this groundbreaking publication reframes the narrative of American Art through the collection of the Brooklyn Museum.
List of contents
Director's Foreword
Anne Pasternak, Shelby White and Leon Levy Director
Acknowledgments
Stephanie Sparling Williams, Andrew W. Mellon Curator of American Art
New Frameworks for American Art
Stephanie Sparling Williams
Through Gimlet Holes: New Visions for American Art
EXPLORING THE SHOALS
Leigh Raiford
[FROM A PLACE OF LOVE]
Leslie Wilson
SOWING SEEDS, LAYING GROUND
Kelli Morgan
A BLACK MIRROR
Brittany Webb
A BLACK FEMINIST FRAMEWORK FOR THE DECORATIVE ARTS
Tiffany Momon
LOOK AGAIN
Jonathan Michael Square
BRAIN LOVE
Xiao Situ
UNTITLED
Sará Yafah King
Framework: Trouble the Water
CRITICAL SHORT: TROUBLED WATERS AND CURRENTS OF RESTORATION
Caroline Gillaspie, Assistant Curator of American Art
Thanksgiving Address: Greetings to the Natural World
Framework: Radical Care
CRITICAL SHORT: FRAMING THE WORLD THROUGH GRATITUDE
Dare Turner, Curator of Indigenous Art
Framework: To Give Flowers
CRITICAL SHORT: FROM OUR MOTHERS' GARDENS
Grace Billingslea, Curatorial Assistant, Arts of the Americas and American Art
Framework: Counterparts
CRITICAL SHORT: IN DIALOGUE
Camille Bacon and Leslie Wilson
Framework: Surface Tension
CRITICAL SHORT: THE DORSAL VIEW
Stephanie Sparling Williams with Sena Amuzu and Madeleine Levinsohn
Framework: Several Seats
CRITICAL SHORT: TO BE REAL!
Caroline Gillaspie
Framework: A Quiet Place
CRITICAL SHORT: REST LIFE
Tricia Hersey
Framework: Witness
CRITICAL SHORT: SHOWING OUR WORK
Stephanie Sparling Williams
Contributor Biographies
Photography and Copyright Credits
About the author
Stephanie Sparling Williams; Caroline Gillaspie; Grace Billingslea; Nancy Rosoff; Dare Turner; Catherine Futter; Liz St. George; Catherine Futter
Summary
Offering a new approach seen through a variety of frameworks, this groundbreaking publication reframes the narrative of American Art through the collection of the Brooklyn Museum.
