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The numerous and multifaceted ways in which masculinities emerge and are expressed within cultures prompt a broad ranging examination and reconsideration of what it means to be a man. Within the study of masculinity, the early modern period stands between the Renaissance, when conceptions of manhood were primarily dominated by chivalric and humanistic traditions, and the latter half of the 18th century, which marked the beginnings of modern conceptions of masculine identity. But rather than a transitional period, the early modern era was a key moment in the evolutionary dynamics of masculine representation. Political forces, such as the Puritan revolution, the Restoration, and the shift in power from the courtier class to the growing middle class forced a reconsideration of the masculine ideal in light of the experiences of the masses. At the same time, the emergence of print culture provided a means of transmitting the new masculine ideal, and literature of the period reflected the changing notions of masculinity.
The chapters in this volume explore the various strategies used by early modern writers to represent masculinity. Together, the expert contributors offer a broad perspective on the social and political dynamics of early modern masculine identity. Included are chapters on such writers as Thomas Carew, Andrew Marvell, Francis Beaumont and John Fletcher, John Dryden, Daniel Defoe, and Samuel Richardson. Though incorporating a variety of critical approaches, the contributors all explore the inherent anxiety associated with masculinity and its representation. The chapters demonstrate how significant literary texts of the period provided not only idealized images of early modern manhood but also contesting ones. By focusing on the literary, historical, and social dynamics which construct cultural perceptions of masculinity, this volume ultimately illustrates the literary representation of manhood in the early modern period to be a dynamic and evolving process which often challenged Western notions of what it means to be a man.
List of contents
Introduction
Masculine Disaffection and Misogynistic Displacement in Carew's Love Lyrics by Ian McAdam
A Garden of Desire, A Meadow of Decay: Masculine Identity Crisis in Marvell's Mower Poems by Edward J. Whitelock
"The blushing shame of souldiers": The Eroticism of Heroic Masculinity in John Fletcher's BONDUCA by Goran Stanivukovic
"A place privileged to do men wrong": The Anxious Masculinity of THE MAID'S TRAGEDY by Lisa Hopkins
Manliness and Misogyny in Dryden's AENEID by Taylor Corse
Soft Women and Softer Men: The Libertine Maintenance of Masculine Identity by Andrew P. Williams
Displacing Masculinity: Edward Kynaston and the Politics of Effeminacy by Thomas A. King
Godly Manliness: Defoe's Good Men in Bad Times by Stephen Gregg
CLARISSA's "Man of Violence" and GRANDISON's "Truly Good Man": Masculine Homogeneity in Richardson by Susan Korba
Selected Bibliography
Index
About the author
ANDREW P. WILLIAMS is Assistant Professor of Early Modern Literature in the Department of English at North Carolina Central University. His previous books include The Restoration Fop: Gender Boundaries and Comic Characterization in Late Seventeenth Century Drama (1995), and his articles have appeared in such journals as The Midwest Quarterly and Early Modern Literary Studies.
