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This first volume of Lady Gregory's Shorter Writings covers the years 1882-1900. Edited and introduced by James Pethica, it makes available all the previously uncollected work she wrote for publication during the period, including newly-discovered articles, material that was never printed, and items that appeared anonymously or pseudonymously.
About the author
James Pethica teaches Irish Studies, Modern literature, and drama at Williams College in Massachussetts. He is preparing the authorized biography of Lady Gregory for Oxford University Press.
Summary
This first volume of Lady Gregory's Shorter Writings covers the years 1882-1900. Edited and introduced by James Pethica, it makes available all the previously uncollected work she wrote for publication during the period, including newly-discovered articles, material that was never printed, and items that appeared anonymously or pseudonymously.
The volume begins with her first independent publication, Arabi and His Household (1882), written in support of the deposed leader of the Egyptian Nationalist rebellion, who faced likely execution by the British. Gregory's travel journalism and other occasional writings of the 1880s were sufficient to catch the attention of Oscar Wilde, who praised her "clever pen" and invited her to contribute to The Woman's World, the periodical he edited. Also included here are more than a
dozen unpublished poems, often highly personal, written during her travels to India and Ceylon, along with the sequence of twelve sonnets she gave Wilfrid Scawen Blunt in 1883 as they ended their clandestine affair. Writings from the early 1890s include one short story set in Italy, and another with a plot her friend
Henry James briefly considered using as the basis for a novel.
Gregory's publications from the mid-1890s offer sharp new insight into her growing interest in Irish folklore, her emergence as an Irish nationalist, and her enthusiasm for the Irish language and the Gaelic League. Key works include a previously unpublished pamphlet on the inequities of Irish taxation, and Gregory's first substantial folklore essays. The last writings in the volume register her increasing centrality in the emergence of the Irish Literary Theatre, her developing friendship and
collaborations with W.B.Yeats, and her growing confidence in her creative voice as she began her rise to prominence.
