Read more
"In the summer of 1988, the mutilated bodies of several missing girls begin to turn up in a small Maryland town. The grisly evidence leads police to the terrifying assumption that a serial killer is on the loose in the quiet suburb. But soon a rumor begins to spread that the evil stalking local teens is not entirely human. Law enforcement, as well as members of the FBI are certain that the killer is a living, breathing madman--and he's playing games with them. For a once peaceful community trapped in the depths of paranoia and suspicion, it feels like a nightmare that will never end"--
About the author
Richard Chizmar is the coauthor (with Stephen King) of the New York Times bestselling novella Gwendy’s Button Box and Gwendy’s Final Task, and author of the solo work Gwendy’s Magic Feather. Recent books include
The Girl on the Porch;
The Long Way Home, his fourth short story collection; and
Widow’s Point, a chilling tale about a haunted lighthouse written with his son, Billy Chizmar, which was recently made into a feature film. His short fiction has appeared in dozens of publications, including
Ellery Queen’s Mystery Magazine and
The Year’s 25 Finest Crime and Mystery Stories. He has won two World Fantasy awards, four International Horror Guild awards, and the HWA’s Board of Trustee’s award. Chizmar’s work has been translated into more than fifteen languages throughout the world, and he has appeared at numerous conferences as a writing instructor, guest speaker, panelist, and guest of honor. He is the author of
Chasing the Boogeyman. Follow him on Twitter @RichardChizmar or visit his website at: RichardChizmar.com.
Additional text
“Chizmar’s Chasing the Boogeyman has been written upon missing person flyers and published on telephone poles. HAVE YOU READ THIS STORY? For your own safety, you should… The Boogeyman will soon enter the pantheon of suburban legends that fill our backyards like summer fireflies, his name whispered into ears all over. Pray you keep yours.” —Clay McLeod Chapman, bestselling author of The Remaking