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This book shows African heritage to be a mode of political organisation - where heritage work has a uniquely wide currency.
List of contents
1. Introduction: heritage management in colonial and contemporary Africa D. R. Peterson; 2. Heritage and legacy in the South African state and university D. Herwitz; 3. Seeing beyond the official and the vernacular: the Duncan Village Massacre Memorial and the politics of heritage in South Africa G. Minkley and P. Mnyaka; 4. Fences, signs and property: heritage, development and the making of location in Lwandle L. Witz and N. Murray; 5. Monuments and negotiations of power in Ghana K. Gavua; 6. Of chiefs, tourists and culture: heritage production in contemporary Ghana R. Silverman; 7. Human remains, the disciplines of the dead and the South African memorial complex C. Rassool; 8. Heritage versus heritage: reaching for pre-Zulu identities in Kwa-Zulu Natal, South Africa M. Buthelezi; 9. 9/11 and the painful death of an Asante king: national tragedies in comparative perspective K. Yankah; 10. Visions of ethnicity in nineteenth-century African linguistics J. Irvine; 11. The role of language in forging new identities: countering a heritage of servitude M. E. Dakubu; 12. Folk opera and the cultural politics of post-independence Ghana: Saka Acquaye's 'The Lost Fishermen' M. Nii-Dortey; 13. Flashes of modernity: heritage according to cinema L. Modisane; 14. Conclusion C. Hamilton.
About the author
Derek Peterson is Professor of History at the University of Michigan. He has edited several books, including Recasting the Past: History Writing and Political Work in Modern Africa (2009), and has authored Ethnic Patriotism and the East African Revival (2012).Kodzo Gavua is Associate Professor of Archaeology and Heritage Studies at the University of Ghana, Legon. He has edited A Handbook of Eweland: The Northern Ewes in Ghana (2000) and is co-editor of Intercultural Perspectives on Ghana (2005).Ciraj Rassool is Professor of History and director of the African Programme in Museum and Heritage Studies at the University of the Western Cape. He co-authored and co-edited several books, including Recalling Community in Cape Town: Creating and Curating the District Six Museum (2001) and Museum Frictions: Public Cultures/Global Transformations (2006).
Summary
This book draws together studies from history, archaeology, linguistics, the performing arts and cinema to show how the lifeways of the past were made into a store of authentic knowledge that political and cultural entrepreneurs could draw from - showing African heritage to be a mode of political organisation.
