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When Ifiok travels to his hometown to do a documentary on some ex-militants' apparent redemption, a tragi-comic series of events will make him realise he is unable to swim against the tide of corruption in this satirical portrait of (post) post-colonial Nigeria.
About the author
Anietie Isong has worked as a corporate writer for some of the biggest brands in the world. His first novel,
Radio Sunrise, won the 2018 McKitterick Prize. His collection of short stories,
Someone Like Me, published in 2020, won the first annual Headlight Review Chapbook Prize for Prose Fiction. In 2021, Isong's essay was included in
Of This Our Country, a ground-breaking anthology celebrating acclaimed Nigerian writers. He has spoken at the Aké Arts and Book Festival, Henley Literary Festival, Marlborough Literature Festival, among other literary festivals. Isong holds a PhD in New Media and Writing.
Commonwealth Short Story Award Winner
Summary
Winner of the McKitterick Prize 2018.
"Never cover an assignment without collecting a brown envelope," Boniface had said. "It is a real life saver for all journalists in this country."
Ifiok, a young journalist working for the government radio station in Lagos, Nigeria, always aspires to do the right thing, but the odds seem to be stacked against him. Government pressures cause the funding to his radio drama to get cut off, his girlfriend leaves him when she discovers he is having an affair with an intern, and kidnappings and militancy are on the rise in the country. When Ifiok travels to his hometown to do a documentary on some ex-militants' apparent redemption, a tragi-comic series of events will make him realise he is unable to swim against the tide of corruption.
Building on the legacy of the great African satirist tradition of Ngugi Wa Thiongo and Ayi Kwei Armah, Radio Sunrise paints a sharp-tongued portrait of (post) post-colonial Nigeria.
Foreword
When Ifiok travels to his hometown to do a documentary on some ex-militants' apparent redemption, a tragi-comic series of events will make him realise he is unable to swim against the tide of corruption in this satirical portrait of (post) post-colonial Nigeria.
