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Zusatztext "This work deserves a place with Vogel's earlier and highly influential works . . . as well as with works of other major figures in the field. . . . It tells a more complex and perhaps less certain story of our risky times, but it captures important dynamics around how policy makers confront the new risks our ever-developing economies have thrown at us." ---Kate O'Neill, Review of Policy Research Informationen zum Autor Shortly before his fifth birthday, David Vogel announced he wanted violin lessons. When his father insisted violins were too expensive, David went knocking on doors and came home with the loan of a half-size violin. Growing up, it was assumed he would become an artist of some sort while his older brother would be a scientist. David was not the better student of the two. When he graduated from high school, the principal called his parents in for a conference and informed them that it would be a waste of David's time and their money to send him to college. But in college, he and his brother switched places. His brother became an actor while David earned a PhD in biophysics (but with a subspecialty in eccentricity).Most of Dr Vogel's writing has been educational, and almost all of it (including an introductory physics textbook) has been humorous. (His research papers on neural network models of higher cognitive processes are not at all amusing, but at least he almost failed his thesis defense when the conservative academic from a country with a certain national stereotype took issue with his amusing style - not appropriate in scientific writing).Facing retirement, Dr Vogel has taken the opportunity to begin writing fiction. (Well, the physics problems about his Chrysler powered Smart Car were already fiction.) Day of the Dragonfly is the first novel he has let out of his hands, and it is the first that is not humorous. "It was an unexpected book that came chasing after me while I was sitting with my wife on a long, hot, tropical day in Brazil. It didn't have a single joke in it, but it insisted on being written. It seemed to write itself. Unfortunately, it wouldn't stop writing itself, and when it went past three hundred thousand words, it had to be hacked back like an acre of kudzu."David Vogel presently resides in Hull, Georgia. He's easy to find. Hull is just one vowel from Hell. The serous tone and formal style of the new book have not stopped him from doing stand-up comedy. Klappentext The Politics of Precaution examines the politics of consumer and environmental risk regulation in the United States and Europe over the last five decades, explaining why America and Europe have often regulated a wide range of similar risks differently. It finds that between 1960 and 1990, American health, safety, and environmental regulations were more stringent, risk averse, comprehensive, and innovative than those adopted in Europe. But since around 1990, the book shows, global regulatory leadership has shifted to Europe. What explains this striking reversal? David Vogel takes an in-depth, comparative look at European and American policies toward a range of consumer and environmental risks, including vehicle air pollution, ozone depletion, climate change, beef and milk hormones, genetically modified agriculture, antibiotics in animal feed, pesticides, cosmetic safety, and hazardous substances in electronic products. He traces how concerns over such risks--and pressure on political leaders to do something about them--have risen among the European public but declined among Americans. Vogel explores how policymakers in Europe have grown supportive of more stringent regulations while those in the United States have become sharply polarized along partisan lines. And as European policymakers have grown more willing to regulate risks on precautionary grounds, increasingly skeptical American policymakers have called for higher levels of scientific certainty before ...
