Fr. 116.40

Painting From the Collection of the Sheldon Museum of Art

English · Hardback

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Description

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Brandon K. Ruud is the curator of transnational American art at the Sheldon Museum of Art. He is the editor of Karl Bodmer’s North American Prints (Nebraska, 2004), which was named a New York Times notable book. More recently, he contributed to the catalogs American Modernism at the Art Institute of Chicago and Apostles of Beauty: Arts and Crafts from Britain to Chicago and edited Encounters: Photography from the Sheldon Museum of Art (Nebraska, 2013).
Gregory Nosan is director of education and publications at the Sheldon Museum of Art. Nosan served as associate director of publications at the Art Institute of Chicago. In that capacity he managed the journal Museum Studies and edited major exhibition catalogs including Matisse: Radical Invention, 1913–1917 and John Marin’s Watercolors: A Medium for Modernism.
Jorge Daniel Veneciano is the director of the Sheldon Museum of Art. He is the series editor of¿ American Transnationalism: Perspectives from the Sheldon Museum of Art, the coeditor of Fabulous Harlequin: ORLAN and the Patchwork Self (Nebraska, 2010), and the editor of The Geometric Unconscious: A Century of Abstraction (Nebraska, 2012).

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List of contents










Acknowledgments
Introduction: Painting, a Transnational Medium, by Jorge Daniel Veneciano
Catalog
Contributors
Index of Artists and Works




About the author










Brandon K. Ruud is the curator of transnational American art at the Sheldon Museum of Art. He is the editor of Karl Bodmer’s North American Prints (Nebraska, 2004), which was named a New York Times notable book. More recently, he contributed to the catalogs American Modernism at the Art Institute of Chicago and Apostles of Beauty: Arts and Crafts from Britain to Chicago and edited Encounters: Photography from the Sheldon Museum of Art (Nebraska, 2013).
Gregory Nosan is director of education and publications at the Sheldon Museum of Art. Nosan served as associate director of publications at the Art Institute of Chicago. In that capacity he managed the journal Museum Studies and edited major exhibition catalogs including Matisse: Radical Invention, 1913–1917 and John Marin’s Watercolors: A Medium for Modernism.
Jorge Daniel Veneciano is the director of the Sheldon Museum of Art. He is the series editor of  American Transnationalism: Perspectives from the Sheldon Museum of Art, the coeditor of Fabulous Harlequin: ORLAN and the Patchwork Self (Nebraska, 2010), and the editor of The Geometric Unconscious: A Century of Abstraction (Nebraska, 2012).

 


Summary

In honor of the 50th birthday of the Sheldon Museum of Art's Philip Johnson-designed building and the 125th anniversary of the Sheldon Art Association and the University of Nebraska-Lincoln art collection, this title showcases the Sheldon's impressive collection, featuring reproductions of 125 major works along with entries by a team of scholars.

Product details

Authors Gregory Ruud Nosan, Brandon K. (EDT)/ Nosan Ruud, Brandon K. Nosan Ruud
Assisted by Gregory Nosan (Editor), Brandon K Ruud (Editor), Brandon K. Ruud (Editor)
Publisher University of Nebraska Press
 
Languages English
Product format Hardback
Released 01.03.2014
 
EAN 9780803248694
ISBN 978-0-8032-4869-4
No. of pages 276
Series American Transnationalism: Per
American Transnationalism: Perspectives from the Sheldon Museum of Art
American Transnationalism: Per
Subject Humanities, art, music > Art > Art history

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