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Informationen zum Autor Elizabeth George Klappentext In one of her most compelling mysteries , bestselling novelist Elizabeth George explores the darker landscapes of human relationships. Here she tells a gripping, suspenseful story of betrayal and devotion, war and remembrance, love and loss . . . and the higher truths to which we must all ultimately answer. An isolated beach on the island of Guernsey in the English Channel is the scene of the murder of Guy Brouard, one of Guernsey's wealthiest inhabitants and its main benefactor. Forced as a child to flee the Nazis in Paris, Brouard was engaged in his latest project when he died: a museum honoring those who resisted the German occupation of the island during World War II. It is from this period that his murderer may well have come. But there are others on Guernsey who want Guy Brouard dead. As forensic scientist Simon St. James and his wife, Deborah, soon discover, seemingly everyone on the history-haunted island has something to hide. . . . And behind all the lies and alibis, a killer is lurking.November 10, 2:45 p.m. MONTECITO, CALIFORNIA Santa Ana winds were no friends of photography, but that was something you could not tell an egomaniacal architect who believed his entire reputation rested upon capturing for posterity—and for Architectural Digest—fifty-two thousand square feet of unfinished hillside sprawl today. You couldn't even try to tell him that. Because when you finally found the location after making what felt like two dozen wrong turns, you were already late, he was already ticked off, and the arid wind was already throwing up so much dust that all you wanted to do was get out of there as fast as possible, which wasn't going to be possible if you argued with him over whether you were going to take the pictures in the first place. So you took them, never mind the dust, never mind the tumbleweeds that seemed to have been imported by a special-effects team to make several million dollars' worth of California ocean-view real estate look like Barstow in August, and never mind the fact that the grit got under your contact lenses and the air made your skin feel like peach pits and your hair like burnt hay. The job was everything; the job was all. And since China River supported herself by doing the job, she did it. But she wasn't happy. When she completed the work, a patina of grime lay on her clothes and against her skin, and the only thing she wanted—other than a tall glass of the coldest water she could find and a long soak in a very cool tub—was to be out of there: off the hillside and closer to the beach. So she said, "That's it, then. I'll have proofs for you to choose from the day after tomorrow. One o'clock? Your office? Good. I'll be there," and she strode off without giving the man a chance to reply. She didn't much care about his reaction to her abrupt departure, either. She drove back down the hillside in her ancient Plymouth, along a smoothly paved road, potholes being permanently banned in Montecito. The route took her past houses of the Santa Barbara super-rich who lived their shielded privileged lives behind electronic gates, where they swam in designer swimming pools and toweled themselves off afterwards on terrycloth as thick and white as a Colorado snow bank. She braked occasionally for Mexican gardeners who sweated behind those protective walls and for teenage girls on horseback who bounced along in tight-fitting blue jeans and skimpy T-shirts. The hair on these girls swung in the sunlight. On every last one of them it was long and straight and shiny like something lit it from within. Their skin was flawless and their teeth were perfect, too. And not a single one of them carried an ounce of unwanted flesh anywhere. But then, why would they? Weight wouldn't have had the moral fortitude to linger upon them any longer than the time it took them to stand on the bathroom scale, get hysterica...
