Musical Authorship From Schutz to Bach

Explores the meanings of the term 'author' for seventeenth-century German musicians, examining how compositions were made and used.

Inhaltsverzeichnis

Introduction; 1. God, talent, craft: concepts of musical creativity; 2. Between imitatio and plagiarism; 3. Signs of individuality; 4. Rites of musical ownership; 5. The regulation of novelty; 6. Authorship and performance; Conclusion.

Über den Autor / die Autorin

Stephen Rose is Professor of Music at Royal Holloway, University of London. He is the author of The Musician in Literature in the Age of Bach (Cambridge, 2011) and editor of Leipzig Church Music from the Sherard Collection (2014), he is also the co-editor of the journal Early Music.

Zusammenfassung

Aimed at students and researchers of music history, publishing history and cultural history, this study illuminates ideas of creativity and individuality in the seventeenth century. Its interdisciplinary approach shows how notions of the musical author were defined via the making, ownership, performance and reception of music.

Produktdetails

• Autoren: Stephen Rose, Stephen (Royal Holloway Rose, Stephen (Royal Holloway University of London Rose
• Verlag: Cambridge University Press ELT
• Sprache: Englisch
• Produktform: Fester Einband
• Erschienen: 30.06.2019
• EAN: 9781108421072
• ISBN: 978-1-108-42107-2
• Seiten: 258
• Serien: Musical Performance and Recept; Musical Performance and Reception; Musical Performance and Recept
• Themen: Geisteswissenschaften, Kunst, Musik > Musik > Instrumentenunterricht; MUSIC / General, Germany, Social & cultural history, Music recording & reproduction, 17th century, c 1600 to c 1699, Social and cultural history, C 1600 To C 1700, Publishing industry & book trade, Publishing and book trade, Music recording and reproduction, Sacred and religious music, Sacred & Religious Music