Mehr lesen
Informationen zum Autor Frances Smith is a Teaching Fellow at University College London Timothy Shary is Adjunct Instructor at Southern New Hampshire University's College of Online and Continuing Education. Klappentext ReFocus: The American Directors Series Series Editors: Robert Singer and Gary Rhodes This series produces new critical volumes from an interdisciplinary perspective, bringing influential, yet neglected, American directors to the attention of a new audience of scholars and students in both Film Studies and American Studies. ReFocus: The Films of Amy Heckerling By Frances Smith and Timothy Shary (eds) Clueless and Fast Times at Ridgemont High are affectionately regarded as key foundations of the modern Hollywood teen movie. However, the director and screenwriter for these films, Amy Heckerling, is far from a household name, despite the major influence she has had on contemporary US cinema. The first book-length study of her films, ReFocus: The Films of Amy Heckerling brings together a collection of original essays from a wide range of critical perspectives, aiming to recuperate Heckerling's place as a distinctive female voice in the contemporary Hollywood landscape. Divided into four sections, each examining an aspect of Heckerling's work, the volume draws on research from applied linguistics and audience studies, as well as from gender and film studies. Questions of gender, genre and identity, as well as the role of women in Hollywood and the implications of Heckerling's recent turn to television, are all considered in a volume that aims to refocus on the films and influence of this unique American director. Frances Smith is a Teaching Fellow at University College London' Timothy Shary is the author of Teen Movies: American Youth on Screen (2005) and Generation Multiplex: The Image of Youth in American Cinema Since 1980 (2014). He is currently an Adjunct Instructor at Southern New Hampshire University's College of Online and Continuing Education. Cover image: Clueless, 1995, dir. Amy Heckerling (c) PARAMOUNT / THE KOBAL COLLECTION Cover design: Stuart Dalziel [EUP logo] www.euppublishing.com Inhaltsverzeichnis AcknowledgementsFilm and Television Work by Amy HeckerlingChapter 1: Introduction, Frances Smith and Timothy SharyI: Heckerling in Teen Film and TelevisionChapter 2: Cher and Dionne BFFs: Female Friendship, Genre, and Medium Specificity in the Film and Television Versions of Amy Heckerling's Clueless, Susan BerridgeChapter 3: Fast Times with Clueless Losers: Lessons on Sex and Gender in Amy Heckerling's Teen Films, Zachary FinchChapter 4: "As If a Girl's Reach Should Exceed Her Grasp": Gendering Genericity and Spectatorial Address in the Work of Amy Heckerling, Mary HarrodII: Ingenuity and Irony in the Heckerling LexiconChapter 5: Consumerism and the Languages of Class: American Teenagers View Amy Heckerling's Clueless, Andrea Press and Ellen RosenmanChapter 6: "An increasingly valid form of expression": Teen-speak and Community Identity in the Work of Amy Heckerling, Lisa RichardsIII: Femininity, Ageing, and PostfeminismChapter 7: Look Who's Doing the Caring: Shared Parenting, Subjectivity, and Gender Roles in Heckerling's Look Who's Talking Films, Claire JenkinsChapter 8: Amy Heckerling's Place in Hollywood: Issues of Aging and Sisterhood in I Could Never Be Your Woman and Vamps, Betty KaklamanidouChapter 9: "Staying Young is Getting Old": Youth and Immortality in Vamps, Murray LeederIV: Reflections on the Heckerling OeuvreChapter 10: "But seriously, I actually have a way normal life for a teenage girl": The Teenage Female Empowerment Payoff in Amy Heckerling's Clueless, Stefania Marghitu and Lindsey AlexanderChapter 11: Clueless Times at the Ferris Bueller Club: A Critical Analysis of the Directorial Works of Amy Heckerling and John Hughes, Kimberly M. MillerChapter 12: Way Hilarious: Amy Heckerling as a Female Comedy Director, Writer, and Producer, Lesley SpeedAppen...
